BR-KLASSIK is dedicating a second portrait edition to the eminent Dutch conductor Bernard Haitink, containing a total of 9 CDs. Bernard Haitink died in October 2021; he would have turned 95 in March 2024.
These exceptional live recordings document the long-standing and intensive collaboration between Bernard Haitink, the Bavarian Radio Chorus, and the BRSO. Since Haitink conducted a subscription concert for the first time in 1958, he repeatedly led the BRSO for over six decades—sometimes in the Herkulessaal of the Residenz, sometimes in the Philharmonie im Gasteig. The orchestras’ musicians and singers were just as happy to work with him as the Bayerischer Rundfunk’s sound engineers.
The box set includes complete recordings of Beethoven's Symphony No. 9 (CD 1) from 2019, Bruckner‘s Symphonies No. 4 (CD 2) from 2012, No. 7 (CD 3) from 1981, and No. 8 (CD 4 / CD 5) from 1993, as well as his Te Deum (CD 4) from 2010. Also featured are Dvořák‘s Symphony No. 7 from 1981 and his Scherzo Capriccioso (CD 6) from 1981, Mahler‘s Symphony No. 7 (CD 7) from 2011, and Shostakovich's Symphonies No. 8 (CD 8) from 2006 and No. 15 (CD 9) from 2015.
A recording of Ludwig van Beethoven's "Ninth" is always a great event, especially because the symphony's final chorus, Schiller's "Ode to Joy", is understood around the world as a plea for peace and international understanding. It was no coincidence that the catchy melody to the text "Joy, beautiful spark of divinity" was chosen as the Hymn of the European Union. This recording of Beethoven's great choral symphony under the direction of Bernard Haitink and with excellent instrumental and vocal soloists is not only an outstanding interpretation of the work but also very much an event in itself -because these recordings document Haitink's last ever concerts with the Symphonieorchester des Bayerischen Rundfunks. Only a few months after his two Munich concerts on February 21 and 22, 2019, the great Dutch conductor -who celebrated his 90thbirthday on March 4 -announced the end of his career.
The Salzburg Mozarteum Orchestra dedicates itself here to a “forgotten master”. In drastic, enigmatic images of the Apocalypse of St. John, Louis Spohr’s oratorio The Last Judgement deals with the fundamental questions of humanity: justice, responsibility and redemption. Shortly after its world premiere, one could say that this work was an international success. Since the Spohr Year of 2009 it has returned to concert stages all over the world, including in Salzburg on 6 June 2013. OehmsClassics presents a live recording here of this concert from the Mozarteum.
This powerful new recording from Michael Tilson-Thomas and the Grammy Award winning San Francisco Symphony and Chorus pairs Beethoven's colossal Cantata on the Death of Emperor Joseph II with his playful, upbeat Symphony No. 2. Rarely performed or recorded, Beethoven's gripping and profoundly moving funeral cantata proved a revelation during the Symphony's May 2013 Beethoven Project concert series. The recording features a glorious solo quartet - soprano Sally Matthews, mezzo-soprano Tamara Mumford, tenor Barry Banks and bass-baritone Andrew Foster-Williams. Presented as a premium quality hybrid multi-channel SACD, this album is the latest addition to the San Francisco Symphony's ongoing series of Beethoven recordings.
