Adolf Reichel, born in 1816 in Tursnitz, was a prominent pianist, composer, and conductor who followed in the footsteps of Beethoven, Mendelssohn, and Siegfried Dehn. After studying in Dresden and Berlin, he spent several years in Paris, where he began a lifelong friendship with the anarchist Mikhail Bakunin. After stints in Meiningen and again in Berlin, he was appointed to Bern, where he assumed all leadership roles for the orchestra, various choirs, and the conservatory. Both symphonies were premiered in Bern (1869 and 1870). Elegance and contrapuntal virtuosity are complemented by original thematic development and a fundamental commitment to classical aesthetics. The Bern Symphony Orchestra performs the two symphonies by it's first chief conductor in a world-premiere recording under the baton of Christoph-Mathias Mueller.

The medieval vocal works on this recording-most of which are world-premiere recordings-come primarily from Swiss monasteries and cathedrals. They were composed in the 13th and 14th centuries, an era in which spiritual and secular power were virtually inseparable. Switzerland's religious communities maintained close ties with the major cultural centers of the time and their musical innovations. In Paris, the intellectual center of the 12th and 13th centuries, outstanding figures were active, including Philip the Chancellor (c. 1160-1236), one of the greatest scholars of his time. It is precisely this connection between European exchange and local tradition that defines the special character of the Swiss sources gathered here: St. Gallen, Lausanne, the Abbey of La Maigrauge, and the Basel Song Manuscript were explored by the singers of the Ensemble RESONEZ and recorder player Marie Verstraete through exciting musical testimonies of that era.