Affinity captures a studio session from September 1962 in Chicago, featuring Peterson on piano alongside his long-time trio partners Ray Brown (bass) and Ed Thigpen (drums). The album offers a refined selection of standards delivered with the assured interplay that defined the Peterson/Brown/Thigpen trio. Peterson's first recorded take on the Bill Evans classic "Waltz For Debby" is a lyrical, nuanced performance - and "Gravy Waltz," (co-written by Ray Brown,) showcases the trio's rhythmic drive and subtle groove. As a whole, Affinity is a tasteful, well-crafted example of Peterson's work in the early 1960s - a strong trio recording that reflects his continued commitment to swing, subtlety, and ensemble balance, making it a valuable piece for any serious jazz collection. Verve's Acoustic Sounds Series features transfers from analog tapes and remastered 180-gram vinyl in deluxe gatefold packaging.

The beauty of Oscar Peterson's sound has never been as superbly captured as this. (Jazz critic Gene Lees in the original liner notes) - When the world-renowned Canadian pianist Oscar Peterson came to Villingen in 1961, there was a mood of intense excitement all round. Hans Georg Brunner-Schwer (HGBS), former owner of the hifi dynasty SABA, had just set up the first version of his studio, equipped with the most advanced recording technology of the time, above the living-room in his villa. This was the bait used by the piano enthusiast to attract the famous pianist to the Black Forest. After a guest performance in Zurich, Peterson climbed into a limousine and embarked on a journey across the mountains. As soon as he arrived, along with bassist Ray Brown and drummer Ed Thigpen, the international star was led to the Steinway grand in the living-room where several excited guests were eagerly waiting. - In the following years, the Canadian pianist returned again and again to the Black Forest with various line-ups to capture his musical vision on tape. As Peterson was still under contract to Verve, the recordings could not be released before 1968. The legendary Exclusively For My Friends series was the first release for Brunner-Schwer's newly-established MPS label. - Never before had a recording captured every aspect of Peterson's ground-breaking sound so vividly: the virtuosity and the speed as well as the delicate inspiration he brings to the subtle and reflective moments. These recordings, made over a short period of five years, also reflect the transformation from equal member of a trio to soloist. All albums beside "Mellow Mood" and "Travelin' On" were released in 1968, with those two being released in 1969. - This will be the first time MPS reissues all the recordings from the "Exclusively For My Friends" series as standalones. All editions will have a scan of the mastertapebox and the original linernotes included.

Limited 180gm vinyl LP pressing housed in old style tip-on jacket. Nothing less than one of the great jazz piano trio albums of all time. First released in 1964, We Get Requests features all-time-classic versions of "The Girl From Ipanema", "Quiet Nights" and "The Days Of Wine And Roses". Seeking to offer definitive audiophile grade versions of some of the most historic and best jazz records ever recorded, Verve Label Group and Universal Music Enterprises' audiophile Acoustic Sounds vinyl reissue series utilizes the skills of top mastering engineers and the unsurpassed production craft of Quality Record Pressings. All titles are mastered from the original analog tapes and packaged by Stoughton Printing Co. In high-quality gatefold sleeves with tip-on jackets.

Vinyl LP repressing. From the opening bars of the title track of this beautiful album, Oscar Peterson lays down the kind of piano playing for which he had been famous for well over a decade; the deftness of touch, the almost sleight of hand, as he beguiles the listener into making it sound all too easy. Peterson talks through the piano and at his best he makes the piano sing. Just listen to 'Georgia on My Mind' who needs a vocal? While Peterson has at times, unfairly, been called an unemotional pianist, that is not a criticism that can be leveled at Night Train. It is a beautifully recorded album that makes the piano, long-time Peterson trio bassist Ray Brown and drummer Ed Thigpen sound as though they are in the room. Despite having sold Verve to MGM two years earlier, Norman Granz produced this album as he was Oscar Peterson's manager; it is a fitting tribute to both performer and mentor.