Aldrich: Sacred Choral Music II

Regular price $18.99
Label
Convivium Records
Release Date
June 7, 2024
Format
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    Featuring
    • COMPOSER
      Henry Aldrich
    • ORCHESTRA / ENSEMBLE
      Oriel College Chapel Choir
    • PERFORMER
      Oxford, Alexander Pott, The Restoration Consort
    Product Details
    • RELEASE DATE
      June 07, 2024
    • UPC
      700153370714
    • CATALOG NUMBER
      CVI086
    • LABEL
      Convivium Records
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. Give Sentence with Me (arr. H. Aldrich for choir and organ)

      Composer: Orlando Gibbons

      Ensemble: Oriel College Chapel Choir

      Performer: Alessandro MacKinnon-Botti

      Conductor: David Maw

    2. Hide Not Thou Thy Face (arr. H. Aldrich for choir and organ)

      Composer: Richard Farrant

      Ensemble: Oriel College Chapel Choir

      Performer: Alessandro MacKinnon-Botti

      Conductor: David Maw

    3. Blessed Is the Man (arr. H. Aldrich for choir and organ)

      Composer: Orlando Gibbons

      Ensemble: Oriel College Chapel Choir

      Performer: Alexander Pott

      Conductor: David Maw

    4. O Lord, I Bow the Knees (after W. Mundy)

      Composer: Henry Aldrich

      Ensemble: Oriel College Chapel Choir

      Performer: Alexander Pott

      Conductor: David Maw

    5. Call to remembrance (arr. H. Aldrich for choir and organ)

      Composer: Richard Farrant

      Ensemble: Oriel College Chapel Choir

      Performer: Alexander Pott

      Conductor: David Maw

    6. The Eye of the Lord (after G.P. da Palestrina)

      Composer: Henry Aldrich

      Ensemble: Oriel College Chapel Choir

      Performer: Alessandro MacKinnon-Botti

      Conductor: David Maw

    7. O God the King of Glory (after G.P. da Palestrina)

      Composer: Henry Aldrich

      Ensemble: Oriel College Chapel Choir

      Performer: Alessandro MacKinnon-Botti

      Conductor: David Maw

    8. Haste Thee, O Lord My God (after G. Carissimi)

      Composer: Henry Aldrich

      Ensemble: Oriel College Chapel Choir

      Performer: Alexander Pott

      Conductor: David Maw

    9. O Pray for the Peace of Jerusalem (arr. H. Aldrich for choir and organ)

      Composer: Thomas Tallis

      Ensemble: Oriel College Chapel Choir

      Performer: Alessandro MacKinnon-Botti

      Conductor: David Maw

    10. I Was in the Spirit (after J. Blow's And I heard a great voice)

      Composer: Henry Aldrich

      Ensemble: Oriel College Chapel Choir

      Performer: Alexander Pott

      Conductor: David Maw

    11. I Will Magnify Thee (after T. Tallis's Absterge Domine)

      Composer: Henry Aldrich

      Ensemble: Oriel College Chapel Choir

      Performer: Alessandro MacKinnon-Botti

      Conductor: David Maw

    12. Why Art Thou so Vexed (after G.P. da Palestrina)

      Composer: Henry Aldrich

      Ensemble: Oriel College Chapel Choir

      Performer: Alessandro MacKinnon-Botti

      Conductor: David Maw

    13. Thy Beauty, O Israel (arr. H. Aldrich for choir and organ)

      Composer: Michael Wise

      Ensemble: Oriel College Chapel Choir

      Performer: Alexander Pott

      Conductor: David Maw

    14. Be Not Wroth (after W. Byrd's Ne irascaris Domine: Civitas sancti tui)

      Composer: Henry Aldrich

      Ensemble: Oriel College Chapel Choir

      Performer: Alexander Pott

      Conductor: David Maw

    15. I Look for the Lord (after T. Tallis's Absterge Domine)

      Composer: Henry Aldrich

      Ensemble: Oriel College Chapel Choir

      Performer: Alessandro MacKinnon-Botti

      Conductor: David Maw

    16. Hic sede Carolus

      Composer: Henry Aldrich

      Ensemble: Oriel College Chapel Choir, The Restoration Consort

      Performer: Alexander Pott

      Conductor: David Maw


This CD recording is part of the Henry Aldrich Choral Project, an ongoing research project to bring original choral works by Henry Aldrich to a wider audience through the creation of modern performing editions and CD recordings. Edited by Dean Jobin-Bevans, Professor of Music at Lakehead University, Canada, the collection includes verse and full anthems, choral arrangements, recompositions, and occasional music. Each of the choral scores has been edited to include standardized barring and time signatures, modern vocal clefs, organ reductions, and instrumental parts for accompaniment.