Bach, Handel et al: Amore Traditore - Italian Cantatas in Germany / Borgioni, Feder, Padoin

$16.99
Label
Bongiovanni
Release Date
September 16, 2022
Format
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    Featuring ⌄
    • COMPOSER
      Johann Sebastian Bach, Georg Friedrich Handel, Johann David Heinichen, Reinhard Keiser, Francesco An
    • PERFORMER
      Mauro Borgioni, Lorenzo Feder, Giulio Padoin
    Product Details ⌄
    • RELEASE DATE
      September 16, 2022
    • UPC
      8007068260027
    • CATALOG NUMBER
      GB2600-2
    • LABEL
      Bongiovanni
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Aria: Amore traditore

      Composer: Johann Sebastian Bach

      Performer: Mauro Borgioni, Lorenzo Feder

    2. Recitative: Voglio provar

      Composer: Johann Sebastian Bach

      Performer: Mauro Borgioni, Lorenzo Feder

    3. Aria: Chi in amore ha nemica la sorte

      Composer: Johann Sebastian Bach

      Performer: Mauro Borgioni, Lorenzo Feder

    4. Più chiare, più belle

      Composer: Reinhard Keiser

      Performer: Mauro Borgioni, Giulio Padoin, Lorenzo Feder

    5. So gab Titon, Auroren selbst den preis

      Composer: Reinhard Keiser

      Performer: Mauro Borgioni, Lorenzo Feder

    6. Der schöneit selbst ein licht zu geben

      Composer: Reinhard Keiser

      Performer: Mauro Borgioni, Giulio Padoin, Lorenzo Feder

    7. I. [Allegro]

      Composer: Johann Sebastian Bach

      Performer: Lorenzo Feder

    8. II. Andante

      Composer: Johann Sebastian Bach

      Performer: Lorenzo Feder

    9. III. Presto

      Composer: Johann Sebastian Bach

      Performer: Lorenzo Feder

    10. Sulla riva del mar tutto dolente

      Composer: Francesco Antonio Mamiliano Pistocchi

      Performer: Mauro Borgioni, Giulio Padoin, Lorenzo Feder

    11. Dove sei Ninfa tiranna?

      Composer: Francesco Antonio Mamiliano Pistocchi

      Performer: Mauro Borgioni, Giulio Padoin, Lorenzo Feder

    12. Tali accenti esprimea

      Composer: Francesco Antonio Mamiliano Pistocchi

      Performer: Mauro Borgioni, Giulio Padoin, Lorenzo Feder

    13. Ah! Galatea t'ho visto

      Composer: Francesco Antonio Mamiliano Pistocchi

      Performer: Mauro Borgioni, Giulio Padoin, Lorenzo Feder

    14. Luci voi siete quelle

      Composer: Johann David Heinichen

      Performer: Mauro Borgioni, Lorenzo Feder

    15. Nel luminoso ciel de' vostri sguardi

      Composer: Johann David Heinichen

      Performer: Mauro Borgioni, Lorenzo Feder

    16. Finché distrutta sia

      Composer: Johann David Heinichen

      Performer: Mauro Borgioni, Lorenzo Feder

    17. I. Adagio

      Composer: Giovanni Benedetto Platti

      Performer: Giulio Padoin, Lorenzo Feder

    18. II. Non presto

      Composer: Giovanni Benedetto Platti

      Performer: Giulio Padoin, Lorenzo Feder

    19. III. Largho

      Composer: Giovanni Benedetto Platti

      Performer: Giulio Padoin, Lorenzo Feder

    20. IV. Allegro

      Composer: Giovanni Benedetto Platti

      Performer: Giulio Padoin, Lorenzo Feder

    21. Recitative: Dalla guerra amorosa

      Composer: George Frideric Handel

      Performer: Mauro Borgioni, Lorenzo Feder

    22. Aria: Non v'alletti un occhio nero

      Composer: George Frideric Handel

      Performer: Mauro Borgioni, Lorenzo Feder

    23. Recitative: Fuggite, si fuggite!

      Composer: George Frideric Handel

      Performer: Mauro Borgioni, Lorenzo Feder

    24. Aria: La bellezza e com'un fiore

      Composer: George Frideric Handel

      Performer: Mauro Borgioni, Lorenzo Feder

    25. Finale: Fugette, sì fuggite

      Composer: George Frideric Handel

      Performer: Mauro Borgioni, Lorenzo Feder


A one-off in Bach’s output, Amore traditore is a model in style and structure of the Italian chamber cantata and although the surviving manuscript score is not in Bach’s own hand, careful stylistic analysis has proved the piece is his. Far less familiar to the general public is Reinhard Keiser (1674-1739) who played a determining role in early 18th century German music. The cantata L’occaso di Titone all’Aurora oriente evokes the Greek myth of Eos (Dawn), daughter of Titan, sister of the Sun and Moon and mother of the four winds from the four points of the compass. Like Keiser, Johann David Heinichen (1683-1729) trained at the Thomasschule in Leipzig and is particularly well-known to harpsichordists for his two valuable treatises on basso continuo performance. A particularly fine example is Luci voi siete quelle, the text of which is Arcadian-style poetry. Händel’s Roman cantatas certainly have the usual arcadian settings and pathos-laden themes of pastoral love affairs with allegorical reflections concerning love and beauty. Francesco Antonio Pistocchi (Palermo 1659 - Bologna 1756) is known today only to specialists although in his time he was celebrated as a great countertenor and composer by Charles Burney. In Germany, he composed the cantata Il Polifemo, the sixth in his collection Scherzi musicali op.2.