An American Song Album is a fine collection of songs by American composers, presented by soprano Melody Moore. The repertoire includes Samuel Barber’s introspective Hermit...

An American Song Album is a fine collection of songs by American composers, presented by soprano Melody Moore. The repertoire includes Samuel Barber’s introspective Hermit Songs, Jake Heggie’s engaged cycles These Strangers and How Well I Knew the Light, Carlisle Floyd’s exploration of motherhood in The Mystery, Copland’s impressionist and oriental Four Early Songs, as well as a varied selection from Gordon Getty’s vocal works. Set to Irish, Welsh, Chilean, German, Arabic and Afro-American poetry, these pieces constitute a panorama of the US as a melting pot of cultures, while simultaneously being bound together by an unmistakably American sound. Melody Moore manages to lift out the poetry of these works with her warm, lyrical voice and impeccable vocal technique. She is accompanied on the piano by Bradley Moore, one of the most eminent conductors and song accompanists of today’s American musical scene. With her first solo album, Melody Moore continues her PENTATONE discography that already features recordings of leading roles in Gordon Getty’s Plump Jack (2012) and The Little Match Girl (2015), as well as Desdemona in Verdi’s Otello (2017).

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REVIEWS:

Melody Moore’s ‘An American Song Album’ feels personal and custom-made for her ample lirico spinto instrument. And that’s always a good place to start. She can thunder darkly, she can float, she can spin – she has the full expressive armoury. But, more importantly, the choices here plainly mean something to her and there’s no mistaking the high level of engagement that sets the best of them apart.

– Gramophone

The highlight of the disc for me is Carlisle Floyd’s The Mystery, subtitled “Five Songs of Motherhood.” Moore’s voice soars through this quite demanding cycle. Her clear high notes are produced without any sense of strain, and there are lovely floated pianissimos as well. She conveys the full breadth of feelings contained in The Mystery—passion, tenderness, elation, and love. Floyd’s 18-minute cycle is, in my view, a significant work that should have found a place of greater prominence in recitals by American singers. It might be seen as a modern American successor to Schumann’s Frauenliebe und -leben, and it would be interesting to pair the two on a program. Perhaps this exquisite recording will help rectify the situation.

– Fanfare