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COMPOSERVarious
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ORCHESTRA / ENSEMBLEThe Wig Society Chamber Music Ensemble
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PERFORMERThe Wig Society Chamber Music Ensemble
Galant Night Fever - Quartets, Trio & Duet for flute, strings & basso
- Arcana
- May 31, 2024
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RELEASE DATEMay 31, 2024
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UPC3760195735633
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CATALOG NUMBERA563
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LABELArcana
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NUMBER OF DISCS1
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GENRE
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I. Allegro
Composer: Ernst Eichner
Ensemble: WIG Society Chamber Music Ensemble
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II. Gavotte
Composer: Ernst Eichner
Ensemble: WIG Society Chamber Music Ensemble
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I. Allegro
Composer: Hans Hinrich Zielche
Ensemble: WIG Society Chamber Music Ensemble
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II. Presto
Composer: Hans Hinrich Zielche
Ensemble: WIG Society Chamber Music Ensemble
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I. Tempo giusto
Composer: Johann Franz Xaver Sterkel
Ensemble: WIG Society Chamber Music Ensemble
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II. Presto
Composer: Johann Franz Xaver Sterkel
Ensemble: WIG Society Chamber Music Ensemble
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I. Presto assai
Composer: Franz Joseph Haydn
Ensemble: WIG Society Chamber Music Ensemble
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II. Menuetto
Composer: Franz Joseph Haydn
Ensemble: WIG Society Chamber Music Ensemble
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III. Adagio
Composer: Franz Joseph Haydn
Ensemble: WIG Society Chamber Music Ensemble
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IV. Presto assai
Composer: Franz Joseph Haydn
Ensemble: WIG Society Chamber Music Ensemble
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I. Adagio
Composer: Wenzel Pichl
Ensemble: WIG Society Chamber Music Ensemble
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II. Allegro
Composer: Wenzel Pichl
Ensemble: WIG Society Chamber Music Ensemble
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III. Thema con variazione: Andante
Composer: Wenzel Pichl
Ensemble: WIG Society Chamber Music Ensemble
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I. Allegro moderato
Composer: Joseph Schmitt
Ensemble: WIG Society Chamber Music Ensemble
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II. Adagio
Composer: Joseph Schmitt
Ensemble: WIG Society Chamber Music Ensemble
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III. Tempo primo
Composer: Joseph Schmitt
Ensemble: WIG Society Chamber Music Ensemble
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IV. Allegro
Composer: Joseph Schmitt
Ensemble: WIG Society Chamber Music Ensemble
Featuring ⌄
Product Details ⌄
Works ⌄
Born in Brussels in 2020, The WIG Society (TWS) has rapidly grown into one of the most exciting musical ensembles on the European Early Music scene. As a rising ensemble within the EEEmerging+ programme, TWS has developed an original approach to the chamber music of the galant and classical period. Their playing highlights the lavish, extravagant, and witty elements of a repertoire principally designed to entertain an aristocratic society on the decline. They re-imagine rococo ballrooms and salons as contemporary dance floors, Haydn as the Beyoncé of the 1770s. Their sound is rich and nuanced in depth thanks to the employment of both the harpsichord and the double-bass, instead of the traditional cello. Alongside works by celebrated composers, TWS proposes some world premiere recordings of neglected composers from the Mannheim School and beyond.
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