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COMPOSERARNE, THOMAS
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PERFORMERThe Mozartists, Page
Arne: Artaxerxes
- Signum Classics
- May 14, 2021
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RELEASE DATEMay 14, 2021
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UPC635212067222
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CATALOG NUMBERSIGCD672
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LABELSignum Classics
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NUMBER OF DISCS2
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GENRE
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Overture
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Conductor: Ian Page
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Act I Scene 1: Recitative: Still silence reigns around (Mandane, Arbaces)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Elizabeth Watts, Caitlin Hulcup
Conductor: Ian Page
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Act I Scene 1: Duettino: Fair Aurora, prithee stay (Mandane, Arbaces)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Elizabeth Watts, Caitlin Hulcup
Conductor: Ian Page
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Act I Scene 1: Recitative: Alas, thou know'st that for my love to thee (Arbaces, Mandane)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Caitlin Hulcup, Elizabeth Watts
Conductor: Ian Page
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Act I Scene 1: Air: Adieu, thou lovely youth (Mandane)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Elizabeth Watts
Conductor: Ian Page
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Act I Scene 2: Recitative: O cruel parting! How can I survive? (Arbaces, Artabanes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Caitlin Hulcup, Andrew Staples
Conductor: Ian Page
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Act I Scene 2: Air: Amid a thousand racking woes (Arbaces)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Caitlin Hulcup
Conductor: Ian Page
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Act I Scene 3: Recitative: Be firm, my heart (Artabanes, Artaxerxes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Andrew Staples, Christopher Ainslie
Conductor: Ian Page
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Act I Scene 3: Air: Behold, on Lethe's dismal strand (Artabanes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Andrew Staples
Conductor: Ian Page
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Act I Scene 4: Recitative: Stay, Artaxerxes, stay (Semira, Artaxerxes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Rebecca Bottone, Christopher Ainslie
Conductor: Ian Page
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Act I Scene 4: Air: Fair Semira, lovely maid (Artaxerxes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Christopher Ainslie
Conductor: Ian Page
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Act I Scene 5: Recitative: I fear some dread disaster (Semira, Rimenes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Rebecca Bottone, Daniel Norman
Conductor: Ian Page
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Act I Scene 5: Air: When real joy we miss (Rimenes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Daniel Norman
Conductor: Ian Page
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Act I Scene 6: Recitative: Ye Gods, protectors of the Persian Empire (Semira)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Rebecca Bottone
Conductor: Ian Page
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Act I Scene 6: Air: How hard is the fate (Semira)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Rebecca Bottone
Conductor: Ian Page
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Act I Scene 7: Recitative: Whither do I fly - Scene 8: My friend - Scene 9: O Artaxerxes - Scene 10: Who in this Royal presence would believe (Mandane, Artaxerxes, Artabanes, Semira, Rimenes, Arbaces)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Elizabeth Watts, Christopher Ainslie, Andrew Staples, Rebecca Bottone, Daniel Norman, Caitlin Hulcup
Conductor: Ian Page
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Act I Scene 10: Air: Thy father! Away, I renounce the soft claim (Artabanes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Andrew Staples
Conductor: Ian Page
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Act I Scene 11: Recitative: Ye cruel Gods, what crime have I committed (Arbaces)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Caitlin Hulcup
Conductor: Ian Page
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Act I Scene 11: Air: Acquit thee of this foul offence (Semira)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Rebecca Bottone
Conductor: Ian Page
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Act I Scene 12: Recitative: Appearance, I must own, is strong against me - Scene 13: Beauteous Mandane, turn at least and hear me (Arbaces, Artaxerxes, Rimenes, Mandane)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Caitlin Hulcup, Christopher Ainslie, Daniel Norman, Elizabeth Watts
Conductor: Ian Page
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Act I Scene 13: Air: O too lovely, too unkind (Arbaces)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Caitlin Hulcup
Conductor: Ian Page
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Act I Scen 14: Accompanied Recitative: Dear and beloved shade (Mandane)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Elizabeth Watts
Conductor: Ian Page
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Act I Scene 14: Air: Fly, soft ideas, fly (Mandane)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Elizabeth Watts
Conductor: Ian Page
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Act II Scene 1: Recitative: Guards, speed ye to the tower (Artaxerxes, Artabanes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Christopher Ainslie, Andrew Staples
Conductor: Ian Page
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Act II Scene 1: Air: In infancy, our hopes and fears (Artaxerxes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Christopher Ainslie
Conductor: Ian Page
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Act II Scene 2: Recitative: So far my great resolve succeeds (Artabanes, Arbaces)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Andrew Staples, Caitlin Hulcup
Conductor: Ian Page
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Act II Scene 2: Air: Disdainful you fly me (Arbaces)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Caitlin Hulcup
Conductor: Ian Page
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Act II Scene 3: Recitative: Why, my dear friend, so pensive - Scene 4: In this valiant chief - Scene 5: I tremble (Rimenes, Artabanes, Semira)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Daniel Norman, Andrew Staples, Rebecca Bottone
Conductor: Ian Page
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Act II Scene 5: Air: To sigh and complain (Rimenes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Daniel Norman
Conductor: Ian Page
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Act II Scene 6: Recitative: How many links to dire misfortune's chain (Semira, Mandane)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Rebecca Bottone, Elizabeth Watts
Conductor: Ian Page
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Act II Scene 6: Air: If o'er the cruel tyrant love (Mandane)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Elizabeth Watts
Conductor: Ian Page
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Act II Scene 7: Recitative: Which fatal evil shall I first oppose? (Semira)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Rebecca Bottone
Conductor: Ian Page
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Act II Scene 7: Air: If the river's swelling waves (Semira)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Rebecca Bottone
Conductor: Ian Page
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Act II Scene 8: Recitative: Ye solid pillars of the Persian Empire - Scene 9: Am I so much the hatred of all Persia (Artaxerxes, Mandane, Artabanes, Rimenes, Semira, Arbaces)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Christopher Ainslie, Elizabeth Watts, Andrew Staples, Daniel Norman, Rebecca Bottone, Caitlin Hulcup
Conductor: Ian Page
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Act II Scene 9: Air: By that belov'd embrace (Arbaces)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Caitlin Hulcup
Conductor: Ian Page
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Act II Scene 10: Recitative: Ah me, at poor Arbaces' parting (Mandane, Artabanes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Elizabeth Watts, Andrew Staples
Conductor: Ian Page
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Act II Scene 10: Air: Monster, away (Mandane)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Elizabeth Watts
Conductor: Ian Page
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Act II Scene 11: Recitative: See, lov'd Semira - Scene 12: O Artabanes (Artaxerxes, Semira, Artabanes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Christopher Ainslie, Rebecca Bottone, Andrew Staples
Conductor: Ian Page
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Act II Scene 13: Accompanied Recitative: At last my soul has room (Artabanes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Andrew Staples
Conductor: Ian Page
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Act II Scene 13: Air: Thou, like the glorious sun (Artabanes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Andrew Staples
Conductor: Ian Page
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Act III Scene 1: Air: Why is death for ever late (Arbaces)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Caitlin Hulcup
Conductor: Ian Page
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Act III Scene 1: Recitative: Arbaces! Gracious Heav'n (Artaxerxes, Arbaces)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Christopher Ainslie, Caitlin Hulcup
Conductor: Ian Page
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Act III Scene 1: Air: Water parted from the sea (Arbaces)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Caitlin Hulcup
Conductor: Ian Page
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Act III Scene 2: Recitative: That face, secure in conscious innocence (Artaxerxes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Christopher Ainslie
Conductor: Ian Page
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Act III Scene 2: Air: Though oft a cloud with envious shade (Artaxerxes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Christopher Ainslie
Conductor: Ian Page
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Act III Scene 3: Recitative: My son, Arbaces… where art thou retir'd? (Artabanes, Rimenes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Andrew Staples, Daniel Norman
Conductor: Ian Page
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Act III Scene 3: Air: O let the danger of a son (Rimenes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Daniel Norman
Conductor: Ian Page
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Act III Scene 4: Accompanied Recitative: Ye adverse Gods! (Artabanes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Andrew Staples
Conductor: Ian Page
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Act III Scene 4: Air: O, much lov'd son, if death (Artabanes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Andrew Staples
Conductor: Ian Page
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Act III Scene 5: Recitative: Perhaps the King releas'd Arbaces (Mandane, Semira)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Elizabeth Watts, Rebecca Bottone
Conductor: Ian Page
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Act III Scene 5: Air: Let not rage, thy bosom firing (Mandane)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Elizabeth Watts
Conductor: Ian Page
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Act III Scene 6: Recitative: What have I done? Alas, I vainly thought (Semira)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Rebecca Bottone
Conductor: Ian Page
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Act III Scene 6: Air: 'Tis not true that in our grief (Semira)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Rebecca Bottone
Conductor: Ian Page
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Act III Scene 7: Recitative: Nor here my searching eyes (Arbaces, Mandane)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Caitlin Hulcup, Elizabeth Watts
Conductor: Ian Page
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Act III Scene 7: Duetto: For thee I live, my dearest (Arbaces, Mandane)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Caitlin Hulcup, Elizabeth Watts
Conductor: Ian Page
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Act III Scene 8: Recitative: To you, my people, much belov'd - Scene 9: Recitative: Fly quick, my Liege - Scene 10: Hold, brother (Artaxerxes, Artabanes, Semira, Mandane)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Christopher Ainslie, Andrew Staples, Rebecca Bottone, Elizabeth Watts
Conductor: Ian Page
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Act III Scene 10: Air: The soldier, tir'd of war's alarms (Mandane)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Elizabeth Watts
Conductor: Ian Page
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Act III Final Scene: Recitative: Behold, my King, Arbaces at thy feet (Arbaces, Artaxerxes, Mandane, Artabanes)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Caitlin Hulcup, Christopher Ainslie, Elizabeth Watts, Andrew Staples
Conductor: Ian Page
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Act III Final Scene: Finale: Live to us, to Empire live (Artaxerxes, Mandane, Arbaces, Artabanes, Semira)
Composer: Thomas Augustine Arne
Ensemble: The Mozartists
Performer: Christopher Ainslie, Elizabeth Watts, Caitlin Hulcup, Andrew Staples, Rebecca Bottone
Conductor: Ian Page
Featuring ⌄
Product Details ⌄
Works ⌄
A composer inextricably linked with London’s Covent Garden, Thomas Arne’s greatest opera, Artaxerxes, was premièred at the Theatre Royal, the predecessor of the Royal Opera House, on 2 February 1762, and remained in the Covent Garden repertory until the late 1830s – where it received a documented 111 performances before 1790. The young Mozart almost certainly attended a performance when he came to London in the mid-1760s, and Haydn was also acquainted with the work, enthusiastically exclaiming that he “had no idea we had such an opera in the English language.” The Mozartists, under the dynamic leadership of conductor and artistic director Ian Page, are leading exponents of the music of Mozart and his contemporaries. Originally called Classical Opera, the company was founded in 1997, and has received widespread international acclaim for its stylish and virtuosic period-instrument orchestra, its imaginative and innovative programming, and its ability to nurture and develop world-class young artists. Renowned for their fresh and insightful interpretations of well-known masterpieces as well as for their ability to bring rare and neglected works to light, they have mounted staged productions of many of Mozart’s operas. In 2015 the company launched MOZART 250, a ground-breaking 27-year project exploring the chronological trajectory of Mozart’s life, works and influences. Described by The Observer as “among the most audacious classical music scheduling ever”, this flagship project presents 250th anniversary performances of most of Mozart’s important works, placing them in context alongside other significant works by Mozart’s contemporaries.
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