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COMPOSERAUBER, DANIEL-FRANCOIS-ESPRIT
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PERFORMERVarious
Auber: Le Maçon (Sung In German)
- Orfeo
- November 15, 2019
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RELEASE DATENovember 15, 2019
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UPC4011790985121
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CATALOG NUMBERORF-C985191
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LABELOrfeo
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NUMBER OF DISCS1
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GENRE
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Overture
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler-Orchester
Conductor: Kurt Tenner
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Act I: Freunde kommt, kommt herein! (Chorus, Baptiste, Roger, Henriette, Mme Bertrand)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler Chorus, Tonkünstler-Orchester
Performer: Franz Fuchs, Walter Anton Dotzer, Maria Salten, Hilde Rössel-Majdan
Conductor: Kurt Tenner
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Act I: Arbeiter sieh! Der Tag erwacht (Roger, Chorus)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler Chorus, Tonkünstler-Orchester
Performer: Walter Anton Dotzer
Conductor: Kurt Tenner
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Act I: Als Roger jüngst mein Haus verließ (Mme Bertrand)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler-Orchester
Performer: Hilde Rössel-Majdan
Conductor: Kurt Tenner
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Act I: Seh ich recht, gnäd'ger Herr! (Roger, Léon, Baptiste, Mme Bertrand)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler-Orchester
Performer: Walter Anton Dotzer, Herakles Politis, Franz Fuchs, Hilde Rössel-Majdan
Conductor: Kurt Tenner
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Act I: Ich muss gehn, ich muss gehn (Henriette, Roger)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler-Orchester
Performer: Maria Salten, Walter Anton Dotzer
Conductor: Kurt Tenner
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Act I: Eilt herbei, haltet ihn (Mme Bertrand, Baptiste, Chorus, Roger, Henriette, Usbeck, Rica)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler Chorus, Tonkünstler-Orchester
Performer: Hilde Rössel-Majdan, Franz Fuchs, Walter Anton Dotzer, Maria Salten, Peter Lagger, Erich Kuchar
Conductor: Kurt Tenner
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Act II: Schwestern lasst uns mäss'gen (Chorus, Irma, Zobéide)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler Chorus, Tonkünstler-Orchester
Performer: Hilde Rychling, Jenny Colon
Conductor: Kurt Tenner
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Act II: Ihn traf ich stets auf meinen Wegen (Irma)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler-Orchester
Performer: Hilde Rychling
Conductor: Kurt Tenner
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Act II: Ohne Ruh', ohne Rast (Roger, Baptiste)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler-Orchester
Performer: Walter Anton Dotzer, Franz Fuchs
Conductor: Kurt Tenner
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Act II: Bald soll ich sie sehn (Léon)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler-Orchester
Performer: Herakles Politis
Conductor: Kurt Tenner
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Act II: Nun, wohlan! Kommt lasst uns (Léon, Irma)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler-Orchester
Performer: Herakles Politis, Hilde Rychling
Conductor: Kurt Tenner
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Act II: Haltet ein, bleibet hier (Rica, Irma, Léon, Usbeck, Roger, Chorus, Baptiste)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler Chorus, Tonkünstler-Orchester
Performer: Erich Kuchar, Hilde Rychling, Herakles Politis, Peter Lagger, Walter Anton Dotzer, Franz Fuchs
Conductor: Kurt Tenner
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Act III: Ach! Ach! An meine Hochzeit, ach (Henriette)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler-Orchester
Performer: Maria Salten
Conductor: Kurt Tenner
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Act III: Ach, Madam Bertrand wieder hier (Henriette, Mme Bertrand, Chorus)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler Chorus, Tonkünstler-Orchester
Performer: Maria Salten, Hilde Rössel-Majdan
Conductor: Kurt Tenner
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Act III: O güt'ger Gott (Roger)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler-Orchester
Performer: Walter Anton Dotzer
Conductor: Kurt Tenner
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Act III: Welch' ein Tumult dort in der Stadt (Baptiste, Henriette, Mme Bertrand, Chorus, Léon, Irma, Roger)
Composer: Daniel-François-Esprit Auber
Ensemble: Tonkünstler Chorus, Tonkünstler-Orchester
Performer: Franz Fuchs, Maria Salten, Hilde Rössel-Majdan, Herakles Politis, Hilde Rychling, Walter Anton Dotzer
Conductor: Kurt Tenner
Featuring ⌄
Product Details ⌄
Works ⌄
Daniel-Francois-Esprit Auber (1782-1871) was long considered as one of the most typically French and most successful opera composers of the 19th century. His overtures were once favourites of the light Classical repertoire. This opera francais, first performed on 3 May 1825, relates to the venerable tradition of the rescue opera, topical since the French Revolution. Both book and score were equally successful. The opera represents a decisive development in Aubers style, a turning away from imitation of Rossini to Boieldieu’s simplicity and thereby to a specifically French tradition. It was the first of Auber’s mature opera-comiques, an international success, characterized by an Italianate sparkle with French grace and lyricism. The work remained in the repertoire from 1825 to 1896 and was performed 525 times. By the 1850s it had been translated into German, Danish, Swedish, Polish, Czech and Hungarian. On German stages this opera remained one of Auber’s most popular works, given as late as 1950 in Vienna.
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