Telemann: Pimpinone oder Die ungleiche Heirat / Kallweit, Academy for Early Music Berlin

$9.49
Label
CPO
Release Date
May 6, 2022
Format
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    Featuring ⌄
    • COMPOSER
      Charles Avison, Georg Philipp Telemann
    • PERFORMER
      Marie-Sophie Pollak, Dominik Koninger, Akademie Fur Alte Musik Berlin
    Product Details ⌄
    • RELEASE DATE
      May 06, 2022
    • UPC
      761203539420
    • CATALOG NUMBER
      555394-2
    • LABEL
      CPO
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Intermezzo I: Aria: Chi mi vuol (Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Marie-Sophie Pollak

      Conductor: Georg Kallweit

    2. Intermezzo I: Recitative: Ich suche zwar ein Glück (Vespetta, Pimpinone)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Marie-Sophie Pollak, Dominik Köninger

      Conductor: Georg Kallweit

    3. Intermezzo I: Aria: Höflich reden, lieblich singen (Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Marie-Sophie Pollak

      Conductor: Georg Kallweit

    4. Intermezzo I: Recitative: Doch was kann dieses wohl für Lust erwecken? (Pimpinone, Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Dominik Köninger, Marie-Sophie Pollak

      Conductor: Georg Kallweit

    5. Intermezzo I: Aria: Ella mi vuol (Pimpinone, Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Dominik Köninger, Marie-Sophie Pollak

      Conductor: Georg Kallweit

    6. Intermezzo I: Recitative: Was aber denkt ihr nun zu tun (Pimpinone, Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Dominik Köninger, Marie-Sophie Pollak

      Conductor: Georg Kallweit

    7. Intermezzo I: Duet: Nel petto (Pimpinone, Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Dominik Köninger, Marie-Sophie Pollak

      Conductor: Georg Kallweit

    8. Concertos done from Scarlatti's Lessons: Concerto No. 6 in D Major: II. Con furia (bars 1-43)

      Composer: Charles Avison

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Georg Kallweit

      Conductor: Georg Kallweit

    9. Intermezzo II: Recitative: Vespetta, willst du von mir gehen? (Pimpinone, Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Dominik Köninger, Marie-Sophie Pollak

      Conductor: Georg Kallweit

    10. Intermezzo II: Aria: Nei brevi momenti (Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Marie-Sophie Pollak

      Conductor: Georg Kallweit

    11. Intermezzo II: Recitative: Schweig, schweig, du hast ja alles recht gemacht (Pimpinone, Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Dominik Köninger, Marie-Sophie Pollak

      Conductor: Georg Kallweit

    12. Intermezzo II: Aria: Guarda, guarda un poco (Pimpinone)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Dominik Köninger

      Conductor: Georg Kallweit

    13. Intermezzo II: Recitative: Er schweige nur! (Vespetta, Pimpinone)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Marie-Sophie Pollak, Dominik Köninger

      Conductor: Georg Kallweit

    14. Intermezzo II: Aria: Io non sono una di quelle (Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Marie-Sophie Pollak

      Conductor: Georg Kallweit

    15. Intermezzo II: Recitative: So geht es gut! (Pimpinone, Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Dominik Köninger, Marie-Sophie Pollak

      Conductor: Georg Kallweit

    16. Intermezzo II: Duet: Stendi, stendi (Pimpinone, Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Dominik Köninger, Marie-Sophie Pollak

      Conductor: Georg Kallweit

    17. Concertos done from Scarlatti's Lessons: Concerto No. 6 in D Major: II. Con furia (bars 44 to end)

      Composer: Charles Avison

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Georg Kallweit

      Conductor: Georg Kallweit

    18. Intermezzo III: Recitative: Ich will dahin, wohin es mir beliebet, gehn (Vespetta, Pimpinone)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Marie-Sophie Pollak, Dominik Köninger

      Conductor: Georg Kallweit

    19. Intermezzo III: So quel che si dice (Pimpinone)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Dominik Köninger

      Conductor: Georg Kallweit

    20. Intermezzo III: Recitative: Für dieses Mal sei ihr der Ausgang unbenommen (Pimpinone, Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Dominik Köninger, Marie-Sophie Pollak

      Conductor: Georg Kallweit

    21. Intermezzo III: Aria: Voglio far (Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Marie-Sophie Pollak

      Conductor: Georg Kallweit

    22. Intermezzo III: Recitative: Wie aber, wenn ich's auch so machen wollte? (Pimpinone, Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Dominik Köninger, Marie-Sophie Pollak

      Conductor: Georg Kallweit

    23. Intermezzo III: Aria und Duet: Wilde Hummel, böser Engel! (Pimpinone, Vespetta)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Dominik Köninger, Marie-Sophie Pollak

      Conductor: Georg Kallweit

    24. Intermezzo III: Recitative: Du eigensinn' ger Esel, schau (Vespetta, Pimpinone)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Marie-Sophie Pollak, Dominik Köninger

      Conductor: Georg Kallweit

    25. Intermezzo III: Aria und Duet: Schweig hinkünftig, albrer Tropf! (Vespetta, Pimpinone)

      Composer: Georg Philipp Telemann

      Ensemble: Akademie für Alte Musik Berlin

      Performer: Marie-Sophie Pollak, Dominik Köninger

      Conductor: Georg Kallweit


Georg Philipp Telemann’s intermezzo Pimpinone celebrated its premiere at the Gänsemarkt Opera in Hamburg on 27 September 1725 as an insert in George Frideric Handel’s opera seria Tamerlano and turned out to be a major public draw that continued to find its place in the Hamburg performance program until 1740. Telemann too valued this work and published it on his own in 1728. Apart from Telemann’s music, one reason for the success of this three-part intermezzo involved his pointed realistic look at the contemporary professional and private spheres. And each intermezzo offers us music fans today insights into existential worlds that only seemingly have disappeared over time: they tell of the hard life of single women, the significance of wealth and social standing for eligibility for marriage, the injustices of patriarchal marriage law, and the ridicule directed at romantically inclined senior citizens. In 1708 Tommaso Albinoni became the first composer to set the libretto Pimpinone e Vespetta by Pietro Pariati; in 1725 Telemann and his librettist Johann Philipp Praetorius lent the work a Hamburg touch. Italian arias were retained, but some arias, duets, and the recitatives were given new texts. Telemann proves to be – also in these scenes from a marriage – a master of musical depictions of moods, situations, and persons. Without exaggeration it may be said that this cpo new production with the Akademie für Alte Musik represents a benchmark recording.