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COMPOSERBACH, J.S.
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ORCHESTRA / ENSEMBLEBach Collegium Japan Chorus
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PERFORMERPeter, Suzu, Hana, Kooij, Robin, Blazikova, Bach Collegium Japan, Blaze
Bach: Cantatas Vol 50 / Suzuki, Bach Collegium Japan
- BIS
- December 1, 2011
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RELEASE DATEDecember 01, 2011
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UPC7318599919416
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CATALOG NUMBERBIS-SACD-1941
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LABELBIS
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NUMBER OF DISCS1
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GENRE
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Man singet mit Freuden vom Sieg in den (Chorus)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Aria: Kraft und Starke sei gesungen (Bass)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Peter Kooij
Conductor: Masaaki Suzuki
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Recitative: Ich furchte mich vor tausend Feinden nicht (Alto)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Robin Blaze
Conductor: Masaaki Suzuki
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Aria: Gottes Engel weichen nie (Soprano)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Hana Blažíková
Conductor: Masaaki Suzuki
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Recitative: Ich danke dir, Mein lieber Gott, dafur (Tenor)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Gerd Türk
Conductor: Masaaki Suzuki
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Aria: Seid wachsam, ihr heiligen Wachter (Alto, Tenor)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Robin Blaze, Gerd Türk
Conductor: Masaaki Suzuki
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Chorale: Ach Herr, lass dein lieb Engelein (Chorus)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Aria: Ich lebe, mein Herze, zu deinem Ergotzen (Soprano, Tenor)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Hana Blažíková, Gerd Türk
Conductor: Masaaki Suzuki
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Recitative: Nun fordre, Moses, wie du willt (Tenor)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Gerd Türk
Conductor: Masaaki Suzuki
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Aria: Merke, mein Herze, bestandig nur dies (Bass)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Peter Kooij
Conductor: Masaaki Suzuki
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Recitative: Mein Jesus lebt (Soprano)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Hana Blažíková
Conductor: Masaaki Suzuki
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Chorale: Drum wir auch billig frohlich sein (Chorus)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Sinfonia
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Conductor: Masaaki Suzuki
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Aria: Ich liebe den Hochsten von ganzem Gemute (Alto)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Robin Blaze
Conductor: Masaaki Suzuki
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Recitative: O! Liebe, welcher keine gleich (Tenor)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Gerd Türk
Conductor: Masaaki Suzuki
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Aria: Greifet zu! (Bass)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Peter Kooij
Conductor: Masaaki Suzuki
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Chorale: Herzlich lieb hab ich dich, o Herr (Chorus)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Sinfonia
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Conductor: Masaaki Suzuki
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Aria: Ich geh und suche mit Verlangen (Bass)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Peter Kooij
Conductor: Masaaki Suzuki
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Recitative: Mein Mahl ist zubereit (Bass, Soprano)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Hana Blažíková, Peter Kooij
Conductor: Masaaki Suzuki
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Aria: Ich bin herrlich, ich bin schon (Soprano)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Hana Blažíková
Conductor: Masaaki Suzuki
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Recitative: Mein Glaube hat mich selbst so angezogen (Soprano, Bass)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Hana Blažíková, Peter Kooij
Conductor: Masaaki Suzuki
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Aria and Chorale: Dich hab ich je und je geliebet (Soprano, Bass)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Hana Blažíková, Peter Kooij
Conductor: Masaaki Suzuki
Featuring ⌄
Product Details ⌄
Works ⌄
Three cantatas from 1729 gathered on the 50th volume of Masaaki Suzuki's traversal of J.S. Bach's cantatas testifies to a huge loss to music - along with another six works, they are all that remain of what was probably an entire year's worth of cantatas, composed by Bach in collaboration with the Leipzig poet Picander (Christian Friedrich Henrici). Some fifty cantatas from this year are unaccounted for, but on the evidence of those that are still extant, it is still possible to see the outlines of the lost cantata year. Fairly concise, the cantatas generally make sparing use of the choir. Instead they centre on two arias, linked by one or two recitatives, and a final chorale. In addition, the surviving works contain several examples of parody - movements in which Bach combined Picander's words with an already existing composition - as well as the reuse of earlier instrumental movements as introductions. A striking example is the opening Sinfonia of BWV 174, where Bach used the first movement of his Third Brandenburg Concerto, adding new parts for three horns and for a tutti section consisting of two violins, viola and three oboes. Another highlight may also be the result of a borrowing - the soprano aria Gottes Engel... from BWV149 is a minuet, complete with the polonaise accents fashionable at the time, and could well have served a secular purpose at another occasion. It is here performed by Hana Blazíková, appearing on this disc alongside three other familiar soloists of the series: Robin Blaze (counter-tenor), Gerd Türk (tenor) and Peter Kooij (bass). With another five discs to go before completing their monumental task, Masaaki Suzuki and his Bach Collegium Japan are in no way flagging, as proven by this splendid instalment, and by recent releases which have received critical acclaim, for instance in International Record Review, where Volume 48 was described as demonstrating 'the ever-rising standard, by now quite stratospheric, of Suzuki and his choir and orchestra in this massive recording project.'
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