Bach: Cantatas Vol 50 / Suzuki, Bach Collegium Japan

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Label
BIS
Release Date
December 1, 2011
Format
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    Featuring
    • COMPOSER
      BACH, J.S.
    • ORCHESTRA / ENSEMBLE
      Bach Collegium Japan Chorus
    • PERFORMER
      Peter, Suzu, Hana, Kooij, Robin, Blazikova, Bach Collegium Japan, Blaze
    Product Details
    • RELEASE DATE
      December 01, 2011
    • UPC
      7318599919416
    • CATALOG NUMBER
      BIS-SACD-1941
    • LABEL
      BIS
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. Man singet mit Freuden vom Sieg in den (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan

      Conductor: Masaaki Suzuki

    2. Aria: Kraft und Starke sei gesungen (Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Peter Kooij

      Conductor: Masaaki Suzuki

    3. Recitative: Ich furchte mich vor tausend Feinden nicht (Alto)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Robin Blaze

      Conductor: Masaaki Suzuki

    4. Aria: Gottes Engel weichen nie (Soprano)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Hana Blažíková

      Conductor: Masaaki Suzuki

    5. Recitative: Ich danke dir, Mein lieber Gott, dafur (Tenor)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Gerd Türk

      Conductor: Masaaki Suzuki

    6. Aria: Seid wachsam, ihr heiligen Wachter (Alto, Tenor)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Robin Blaze, Gerd Türk

      Conductor: Masaaki Suzuki

    7. Chorale: Ach Herr, lass dein lieb Engelein (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan

      Conductor: Masaaki Suzuki

    8. Aria: Ich lebe, mein Herze, zu deinem Ergotzen (Soprano, Tenor)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Hana Blažíková, Gerd Türk

      Conductor: Masaaki Suzuki

    9. Recitative: Nun fordre, Moses, wie du willt (Tenor)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Gerd Türk

      Conductor: Masaaki Suzuki

    10. Aria: Merke, mein Herze, bestandig nur dies (Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Peter Kooij

      Conductor: Masaaki Suzuki

    11. Recitative: Mein Jesus lebt (Soprano)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Hana Blažíková

      Conductor: Masaaki Suzuki

    12. Chorale: Drum wir auch billig frohlich sein (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan

      Conductor: Masaaki Suzuki

    13. Sinfonia

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Conductor: Masaaki Suzuki

    14. Aria: Ich liebe den Hochsten von ganzem Gemute (Alto)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Robin Blaze

      Conductor: Masaaki Suzuki

    15. Recitative: O! Liebe, welcher keine gleich (Tenor)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Gerd Türk

      Conductor: Masaaki Suzuki

    16. Aria: Greifet zu! (Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Peter Kooij

      Conductor: Masaaki Suzuki

    17. Chorale: Herzlich lieb hab ich dich, o Herr (Chorus)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan

      Conductor: Masaaki Suzuki

    18. Sinfonia

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Conductor: Masaaki Suzuki

    19. Aria: Ich geh und suche mit Verlangen (Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Peter Kooij

      Conductor: Masaaki Suzuki

    20. Recitative: Mein Mahl ist zubereit (Bass, Soprano)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Hana Blažíková, Peter Kooij

      Conductor: Masaaki Suzuki

    21. Aria: Ich bin herrlich, ich bin schon (Soprano)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Hana Blažíková

      Conductor: Masaaki Suzuki

    22. Recitative: Mein Glaube hat mich selbst so angezogen (Soprano, Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Hana Blažíková, Peter Kooij

      Conductor: Masaaki Suzuki

    23. Aria and Chorale: Dich hab ich je und je geliebet (Soprano, Bass)

      Composer: Johann Sebastian Bach

      Ensemble: Bach Collegium Japan

      Performer: Hana Blažíková, Peter Kooij

      Conductor: Masaaki Suzuki


Three cantatas from 1729 gathered on the 50th volume of Masaaki Suzuki's traversal of J.S. Bach's cantatas testifies to a huge loss to music - along with another six works, they are all that remain of what was probably an entire year's worth of cantatas, composed by Bach in collaboration with the Leipzig poet Picander (Christian Friedrich Henrici). Some fifty cantatas from this year are unaccounted for, but on the evidence of those that are still extant, it is still possible to see the outlines of the lost cantata year. Fairly concise, the cantatas generally make sparing use of the choir. Instead they centre on two arias, linked by one or two recitatives, and a final chorale. In addition, the surviving works contain several examples of parody - movements in which Bach combined Picander's words with an already existing composition - as well as the reuse of earlier instrumental movements as introductions. A striking example is the opening Sinfonia of BWV 174, where Bach used the first movement of his Third Brandenburg Concerto, adding new parts for three horns and for a tutti section consisting of two violins, viola and three oboes. Another highlight may also be the result of a borrowing - the soprano aria Gottes Engel... from BWV149 is a minuet, complete with the polonaise accents fashionable at the time, and could well have served a secular purpose at another occasion. It is here performed by Hana Blazíková, appearing on this disc alongside three other familiar soloists of the series: Robin Blaze (counter-tenor), Gerd Türk (tenor) and Peter Kooij (bass). With another five discs to go before completing their monumental task, Masaaki Suzuki and his Bach Collegium Japan are in no way flagging, as proven by this splendid instalment, and by recent releases which have received critical acclaim, for instance in International Record Review, where Volume 48 was described as demonstrating 'the ever-rising standard, by now quite stratospheric, of Suzuki and his choir and orchestra in this massive recording project.'