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COMPOSERBACH, J.S.
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ORCHESTRA / ENSEMBLEBach Collegium Japan Chorus
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PERFORMERPeter, Suzu, Hana, Kooij, Robin, Blazikova, Bach Collegium Japan, Blaze
Bach: Cantatas Vol 53 / Masaaki Suzuki, Bach Collegium Japan
- BIS
- March 1, 2013
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RELEASE DATEMarch 01, 2013
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UPC7318599919911
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CATALOG NUMBERBIS-1991
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LABELBIS
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NUMBER OF DISCS1
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GENRE
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In allen meinen Taten (Chorus)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Aria: Nichts ist es spat und fruhe (Bass)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Peter Kooij
Conductor: Masaaki Suzuki
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Recitative: Es kann mir nichts geschehen (Tenor)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Gerd Türk
Conductor: Masaaki Suzuki
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Aria: Ich traue seiner Gnaden (Tenor)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Gerd Türk
Conductor: Masaaki Suzuki
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Recitative: Er wolle meiner Sunden (Alto)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Robin Blaze
Conductor: Masaaki Suzuki
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Aria: Leg ich mich spate nieder (Alto)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Robin Blaze
Conductor: Masaaki Suzuki
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Duet: Hat er es denn beschlossen (Soprano, Bass)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Hana Blažíková, Peter Kooij
Conductor: Masaaki Suzuki
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Aria: Ihm hab ich mich ergeben (Soprano)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Hana Blažíková
Conductor: Masaaki Suzuki
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Chorale: So sei nun, Seele, deine (Chorus)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Ich ruf zu dir, Herr Jesu Christ (Chorus)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Aria: Ich bitt noch mehr, o Herre Gott (Alto)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Robin Blaze
Conductor: Masaaki Suzuki
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Aria: Verleih, dass ich aus Herzensgrund (Soprano)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Hana Blažíková
Conductor: Masaaki Suzuki
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Aria: Lass mich kein Lust noch Furcht von dir (Tenor)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Gerd Türk
Conductor: Masaaki Suzuki
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Chorale: Ich lieg im Streit und widerstreb (Chorus)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Es ist das Heil uns kommen her (Chorus)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
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Recitative: Gott gab uns ein Gesetz (Bass)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Peter Kooij
Conductor: Masaaki Suzuki
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Aria: Wir waren schon zu tief gesunken (Tenor)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Gerd Türk
Conductor: Masaaki Suzuki
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Recitative: Doch musste das Gesetz erfullet werden (Bass)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Peter Kooij
Conductor: Masaaki Suzuki
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Duet: Herr, du siehst statt guter Werke (Soprano, Alto)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Hana Blažíková, Robin Blaze
Conductor: Masaaki Suzuki
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Recitative: Wenn wir die Sund aus dem Gesetz erkennen (Bass)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan
Performer: Peter Kooij
Conductor: Masaaki Suzuki
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Chorale: Ob sich's anliess, als wollt er nicht (Chorus)
Composer: Johann Sebastian Bach
Ensemble: Bach Collegium Japan Chorus, Bach Collegium Japan
Conductor: Masaaki Suzuki
Featuring ⌄
Product Details ⌄
Works ⌄

The three cantatas on this recording come from the first half of the 1730s, by which time J.S. Bach was no longer writing a new cantata every week. In these later works, Bach’s affinity for instrumental colour is coming more clearly to the fore, as are elements of the new ‘empfindsamer Stil’ with its tendency towards expressive melodies rich in syncopations and suspensions, and towards homophonic writing. The three cantatas are also linked in that they are all chorale cantatas, harking back to Bach’s second year in Leipzig (1724–25), when the cantatas that he wrote were each based in their entirety on a well-known hymn. The opening cantata, In allen meinen Taten BWV 97, is a setting of nine strophes from a poem by Paul Fleming, one of the great German baroque poets, and begins with a splendid French overture, in which the orchestra intones a solemn, slow introduction with the typical dotted rhythms, followed by a lively fugal section during which the choir makes its entry. This is followed by BWV 177, Ich ruf zu dir, Herr Jesu Christ, which at its centre has the aria Verleih, dass ich aus Herzensgrund… a heartfelt prayer from the soprano and oboe da caccia for the capacity to forgive one’s enemies. The hymn Es ist das Heil uns kommen her, on which the closing BWV 9 is based, remains an important hymn in the German Evangelical Church. The text – and Bach’s setting of it – eloquently conveys the message that it is through faith rather than deeds that mankind may achieve salvation.
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