For this, the eleventh volume of his complete edition, Benjamin Alard has assembled all the keyboard masterpieces that Bach published under the heading Clavier-Ubungen I and II - the six Partitas, the Italian Concerto and Overture in the French Style, supplemented here by the brilliant Duetti from Clavier-Ubung III. Two remarkable harpsichords lend their voices to these expert readings: the sumptuous Hass of 1740, and for the first time in this recording venture, an English Kirkman built in 1757.