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COMPOSERJohann Sebastian Bach, Dmitri Shostakovich
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ORCHESTRA / ENSEMBLEG.A.P. Ensemble
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PERFORMERDorothee Mields
Salvation - Bach & Shostakovich: Vocal & Instrumental Music / Mields, G.A.P. Ensemble
- Brilliant Classics
- March 15, 2024
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RELEASE DATEMarch 15, 2024
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UPC5028421972800
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CATALOG NUMBERBRI97280
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LABELBrilliant Classics
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NUMBER OF DISCS1
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GENRE
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I. Adagio
Composer: Johann Sebastian Bach
Ensemble: G.A.P. Ensemble
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II. Vivace
Composer: Johann Sebastian Bach
Ensemble: G.A.P. Ensemble
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III. Largo
Composer: Johann Sebastian Bach
Ensemble: G.A.P. Ensemble
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IV. Presto
Composer: Johann Sebastian Bach
Ensemble: G.A.P. Ensemble
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Ich bin in mir vergnügt, BWV 204: Recitative: Ich bin in mir vergnügt
Composer: Johann Sebastian Bach
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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Ach Gott, wie manches Herzeleid, BWV 58: Aria: Ich bin vergnugt in meinem Leiden
Composer: Johann Sebastian Bach
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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Prelude No. 6 in D Minor, BWV 875
Composer: Johann Sebastian Bach
Performer: Luca Quintavalle
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Fugue No. 6 in D Minor, BWV 875
Composer: Johann Sebastian Bach
Performer: Luca Quintavalle
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Komm, du susse Todesstunde, BWV 161: Recitative: Welt! deine Lust ist Last
Composer: Johann Sebastian Bach
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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Ein feste Burg ist unser Gott, BWV 80: Aria: Komm in mein Herzenshaus
Composer: Johann Sebastian Bach
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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Du Süßer Jesus-Name Du
Composer: Johann Sebastian Bach
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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Aria: Jesus soll mein erstes Wort
Composer: Johann Sebastian Bach
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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O holder Tag, erwünschte Zeit, BWV 210, "Wedding Cantata": Recitative: So glaubt man denn, dass die Musik verführe
Composer: Johann Sebastian Bach
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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Herr Gott, Beherrscher aller Dinge, BWV 120a: Aria: Leit, o Gott, durch deine Liebe
Composer: Johann Sebastian Bach
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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Piano Trio No. 1 in C Minor, Op. 8
Composer: Dmitri Shostakovich
Ensemble: G.A.P. Ensemble
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Prelude No. 5 in D Major
Composer: Dmitri Shostakovich
Performer: Luca Quintavalle
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Fugue No. 5 in D Major
Composer: Dmitri Shostakovich
Performer: Luca Quintavalle
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No. 1. Ophelia's Song
Composer: Dmitri Shostakovich
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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No. 2. Gamayun, Bird of Prophecy
Composer: Dmitri Shostakovich
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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No. 3. We were Together
Composer: Dmitri Shostakovich
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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No. 4. The Town Sleeps
Composer: Dmitri Shostakovich
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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No. 5. The Storm
Composer: Dmitri Shostakovich
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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No. 6. Secret Signs
Composer: Dmitri Shostakovich
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
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No. 7. Music
Composer: Dmitri Shostakovich
Ensemble: G.A.P. Ensemble
Performer: Dorothee Mields
Featuring ⌄
Product Details ⌄
Works ⌄
‘I play Bach every day,’ said Shostakovich in 1950, at an event to mark the bicentenary of Bach’s death. ‘For us, Bach's legacy is an embodiment of flaming emotion, soulful humanity and true humanism, which stands in contrast to the dark world of raw evil and contempt for humanity.’
Taking their inspiration from these words, and from the palpable influence of Bach on the solid forms and fluent counterpoint of Shostakovich’s own music, this quartet of musicians presents an entirely original pairing of the two composers, in which cantata arias and a major song-cycle are linked and interspersed by instrumental interludes.
The German soprano Dorothee Mields is renowned for her piercing musicianship and luminous tone in the music of Bach, working with such illustrious conductors as Rene Jacobs and Philippe Herreweghe. Her contributions to recent recordings in this field have been called ‘sensational’ and ‘ravishing’ by Gramophone.
Here she sings recitatives and arias from seven cantatas, including the meditative opening movement of ‘Ich bin in mir vergnügt BWV204’. The trio-sonata accompaniment brings her expressive handling of the text to the fore, and prefaces the arias with the G major Sonata BWV1021 for violin and continuo, while Luca Quintavalle contributes the sixth Prelude and Fugue from Book 2 of ‘The Well-Tempered Clavier’. Switching to piano for Shostakovich, Quintavalle plays the D major Prelude and Fugue from the Russian composer’s counterpart to the WTC. The early Piano Trio No.1 makes a Romantically yearning preface to the late settings of Alexander Blok which Shostakovich composed alongside the song-cycle Fourteenth Symphony. These songs find the composer at his most introspective, unsparing and yet rewarding of the subtlety which Mields brings to them. The idioms of Bach and Shostakovich complement as much as they contrast, and they are drawn together here by performances of powerful eloquence.
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