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COMPOSERBACH, JOHANN SEBASTIAN
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PERFORMERRichard Hartshorne
Bach: Six Cello Suites / Richard Hartshorne
- Centaur Records
- February 1, 1998
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RELEASE DATEFebruary 01, 1998
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UPC044747234823
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CATALOG NUMBERCRC2348-50
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LABELCentaur Records
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NUMBER OF DISCS3
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GENRE
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I. Prelude
Composer: Johann Sebastian Bach
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II. Allemande
Composer: Johann Sebastian Bach
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III. Courante
Composer: Johann Sebastian Bach
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IV. Sarabande
Composer: Johann Sebastian Bach
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V. Menuett
Composer: Johann Sebastian Bach
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VI. Gigue
Composer: Johann Sebastian Bach
-
I. Prelude
Composer: Johann Sebastian Bach
-
II. Allemande
Composer: Johann Sebastian Bach
-
III. Courante
Composer: Johann Sebastian Bach
-
IV. Sarabande
Composer: Johann Sebastian Bach
-
V. Menuett
Composer: Johann Sebastian Bach
-
VI. Gigue
Composer: Johann Sebastian Bach
-
I. Prelude
Composer: Johann Sebastian Bach
-
II. Allemande
Composer: Johann Sebastian Bach
-
III. Courante
Composer: Johann Sebastian Bach
-
IV. Sarabande
Composer: Johann Sebastian Bach
-
V. Bourree
Composer: Johann Sebastian Bach
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VI. Gigue
Composer: Johann Sebastian Bach
-
I. Prelude
Composer: Johann Sebastian Bach
-
II. Allemande
Composer: Johann Sebastian Bach
-
III. Courante
Composer: Johann Sebastian Bach
-
IV. Sarabande
Composer: Johann Sebastian Bach
-
V. Bourree
Composer: Johann Sebastian Bach
-
VI. Gigue
Composer: Johann Sebastian Bach
-
I. Prelude
Composer: Johann Sebastian Bach
-
II. Allemande
Composer: Johann Sebastian Bach
-
III. Courante
Composer: Johann Sebastian Bach
-
IV. Sarabande
Composer: Johann Sebastian Bach
-
V. Gavotte
Composer: Johann Sebastian Bach
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VI. Gigue
Composer: Johann Sebastian Bach
-
I. Prelude
Composer: Johann Sebastian Bach
-
II. Allemande
Composer: Johann Sebastian Bach
-
III. Courante
Composer: Johann Sebastian Bach
-
IV. Sarabande
Composer: Johann Sebastian Bach
-
V. Gavotte
Composer: Johann Sebastian Bach
-
VI. Gigue
Composer: Johann Sebastian Bach
Featuring ⌄
Product Details ⌄
Works ⌄
Fanfare (7-8/98, pp.81-82) - "..Hartshorne managed, through sheer Yankee ingenuity, to play the suites in the original keys and to preserve not only double, triple, and quadruple stops that traditional tunings render impossible but even resonant pedals based on the cello's open strings....Recommended with reverential urgency."
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