-
COMPOSERJohann Sebastian Bach
-
PERFORMERRoberto Zadra, Alessia Mattiazzi, Marco Emmanuele
Bach: Three Cello Suites (Transcribed for Guitar)
- Stradivarius
- January 5, 2024
-
RELEASE DATEJanuary 05, 2024
-
UPC8011570372116
-
CATALOG NUMBERSTR37211
-
LABELStradivarius
-
NUMBER OF DISCS1
-
GENRE
-
I. Prélude
Composer: Johann Sebastian Bach
Performer: Alessia Mattiazzi
-
II. Allemande
Composer: Johann Sebastian Bach
Performer: Alessia Mattiazzi
-
III. Courante
Composer: Johann Sebastian Bach
Performer: Alessia Mattiazzi
-
IV. Sarabande
Composer: Johann Sebastian Bach
Performer: Alessia Mattiazzi
-
V. Menuet I-II
Composer: Johann Sebastian Bach
Performer: Alessia Mattiazzi
-
VI. Gigue
Composer: Johann Sebastian Bach
Performer: Alessia Mattiazzi
-
I. Prélude
Composer: Johann Sebastian Bach
Performer: Roberto Zadra
-
II. Allemande
Composer: Johann Sebastian Bach
Performer: Roberto Zadra
-
III. Courante
Composer: Johann Sebastian Bach
Performer: Roberto Zadra
-
IV. Sarabande
Composer: Johann Sebastian Bach
Performer: Roberto Zadra
-
V. Bourrée I-II
Composer: Johann Sebastian Bach
Performer: Roberto Zadra
-
VI. Gigue
Composer: Johann Sebastian Bach
Performer: Roberto Zadra
-
I. Prélude
Composer: Johann Sebastian Bach
Performer: Marco Emmanuele
-
II. Allemande
Composer: Johann Sebastian Bach
Performer: Marco Emmanuele
-
III. Courante
Composer: Johann Sebastian Bach
Performer: Marco Emmanuele
-
IV. Sarabande
Composer: Johann Sebastian Bach
Performer: Marco Emmanuele
-
V. Menuet I-II
Composer: Johann Sebastian Bach
Performer: Marco Emmanuele
-
VI. Gigue
Composer: Johann Sebastian Bach
Performer: Marco Emmanuele
Featuring ⌄
Product Details ⌄
Works ⌄
The three Suites recorded on this CD (BWV 1007, BWV 1008 and BWV 1010) were transcribed for guitar by the performers themselves, following a practice customary for Bach and absolutely familiar to him (the Fifth Suite for cello has come down to us in two versions, one for cello and one for lute: we are not sure which came first). One should therefore recognise the full aesthetic legitimacy of the guitar transcription of these compositions, a practice, moreover, that has now been established for decades. This procedure is ultimately legitimised by the primacy, in Bach’s language, of the harmonic and contrapuntal dimension over their sonic realisation, a primacy that led Ferruccio Busoni, for whom the concept of “transcription” occupies a position of absolute centrality in his aesthetic thought, to transcribe for piano not only numerous compositions for organ by Thomaskantor, but also the Chaconne from the Second Partita in D minor for solo violin. With specific regard to the guitar, one cannot fail to mention the name of Andrés Segovia, who transcribed for his instrument and recorded in 1946 the highly famous Chaconne.
- Choosing a selection results in a full page refresh.
- Press the space key then arrow keys to make a selection.
