Here are charmingly fresh folk carols from the French countryside, arranged by one of the Ancien Régime’s favorite composers, and played alternately on the organ, the harpsichord and the fortepiano, following Balbastre’s own practice.

Considered one of the major harpsichordists of his generation, Olivier Baumont has for several decades enjoyed a rich career as a performer, teacher and researcher. At the Conservatoire national supérieur de Musique et de Danse de Paris, juries unanimously awarded him first prizes for harpsichord and chamber music. He benefited from the artistic guidance of Huguette Dreyfus and Kenneth Gilbert, and was occasionally invited by Gustav Leonhardt to attend his interpretation classes in Cologne. Olivier Baumont’s fine qualities as a musician were quickly recognized. Curious, ardent and erudite, he has a keen sense of communication (masterclasses, conferences, radio and television programs), he enjoys being on stage and takes pleasure in sharing his taste for the 17th and 18th centuries with others, making him hailed as an artist with multiple facets, solicited around the world.