Gerald Barry: In the Asylum & Other Piano Trios / Fidelio Trio

Regular price $20.99
Label
Mode Records
Release Date
July 15, 2022
Format
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    Featuring
    • COMPOSER
      Gerald Barry
    • ORCHESTRA / ENSEMBLE
      Fidelio Trio
    • PERFORMER
      Darragh Morgan, Mary Dullea, Gerald Barry
    Product Details
    • RELEASE DATE
      July 15, 2022
    • UPC
      764593033226
    • CATALOG NUMBER
      MOD-CD-332
    • LABEL
      Mode Records
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. 1998

      Composer: Gerald Barry

      Performer: Darragh Morgan, Mary Dullea

    2. All day at home busy with my own affairs

      Composer: Gerald Barry

      Performer: Gerald Barry

    3. Midday (version for violin and piano)

      Composer: Gerald Barry

      Performer: Darragh Morgan, Mary Dullea

    4. Le Vieux Sourd

      Composer: Gerald Barry

      Performer: Mary Dullea

    5. I. Clever, noble, but not talented

      Composer: Gerald Barry

      Performer: Darragh Morgan, Mary Dullea

    6. II. Talented, noble, but not clever

      Composer: Gerald Barry

      Performer: Darragh Morgan, Mary Dullea

    7. III. Talented, clever, but not noble

      Composer: Gerald Barry

      Performer: Darragh Morgan, Mary Dullea

    8. In the Asylum (version for piano trio)

      Composer: Gerald Barry

      Ensemble: Fidelio Trio

    9. Ø (version for piano quartet)

      Composer: Gerald Barry

      Ensemble: Fidelio Trio

      Performer: Rose Redgrave

    10. Triorchic Blues (version for piano trio)

      Composer: Gerald Barry

      Ensemble: Fidelio Trio


Includes six world premiere recordings of the Irish composer's work!

Review:

"How music engenders a sense of speed remains notoriously elusive, with theories of musical time sometimes putting forward the idea of an ongoing motion which underlies perceived processes of change. Drawing upon the suggestion that a number of such processes can be understood without reference to this sense of movement, the current discussion proposes that the concept of ‘quickness’, as formulated by Italo Calvino, forms a useful interpretative lever through which to approach a number of compositions by Irish composer, Gerald Barry. Examinations of Bob, 1998 and In the Asylum suggest ways in which Barry’s approach to musical material plays with perceptions of speed and slowness, and how his work represents a number of different solutions to the problem of creating convincing musical forms." --Contemporary Music Review (Daniel March)