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COMPOSERBARTOK, BELA
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PERFORMEREhnes, Armstrong
Bartok: Sonatas & Folk Dances / James Ehnes
- Chandos
- January 29, 2013
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RELEASE DATEJanuary 29, 2013
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UPC095115175224
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CATALOG NUMBERCHAN 10752
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LABELChandos
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NUMBER OF DISCS1
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GENRE
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I. Tempo di ciaccona
Composer: Béla Bartók
Performer: James Ehnes
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II. Fuga: Risoluto, non troppo vivo
Composer: Béla Bartók
Performer: James Ehnes
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III. Melodia: Adagio
Composer: Béla Bartók
Performer: James Ehnes
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IV. Presto
Composer: Béla Bartók
Performer: James Ehnes
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I. Allegro moderato (molto rubato)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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II. Andante
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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III. Vivace
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 1. Andante - Un poco più lento (arr. of For Children, Vol. 2, No. 34)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 2. Allegretto (arr. of For Children, Vol. 2, No. 36)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 3. Lento, ma non troppo (arr. of For Children, Vol. 1, No. 17)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 4. Allegro (arr. of For Children, Vol. 2, No. 31)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 5. Lento, poco rubato (arr. of For Children, Vol. 1, No. 16)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 6. Allegretto (arr. of For Children, Vol. 1, No. 14)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 7. Allegretto, scherzando (arr. of For Children, Vol. 1, No. 19)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 8. Sostenuto - Allegro - Adagio (arr. of For Children, Vol. 1, No. 8)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 9. Allegro robusto (arr. of For Children, Vol. 1, No. 21)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 1. Parlando (arr. of For Children, Vol. 2, No. 28)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 2. Andante non molto (arr. of For Children, Vol. 1, No. 18)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 3. Allegro vivace (arr. of For Children, Vol. 2, No. 42)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 4. Andante sostenuto (arr. of For Children, Vol. 2, No. 33)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 5. Allegro (arr. of For Children, Vol. 1, No. 6)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 6. Andante (arr. of For Children, Vol. 1, No. 13)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 7. Poco vivace (arr. of For Children, Vol. 2, No. 38)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 1. Jocul cu bata (Stick Dance)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 2. Braul (Sash Dance)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 3. Pe loc (In One Place)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 4. Buciumeana (Horn Dance)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 5. Poarga Romaneasca (Romanian Polka)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
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No. 6. Maruntel (Fast Dance)
Composer: Béla Bartók
Performer: James Ehnes, Andrew Armstrong
Featuring ⌄
Product Details ⌄
Works ⌄
As violinist James Ehnes and pianist Andrew Armstrong demonstrate on this new recording, Bartók fashioned some vibrant and colorful arrangements from his folk journeys.
Ehnes has been a familiar face in New York lately; last summer, he performed on a New York Philharmonic broadcast from Van Cortlandt Park and also made a stop for a WQXR Café Concert. He’s been busy in the recording studio too; this wraps a three-part Bartók cycle.
The three sets of folk songs on this recording illustrate how Bartók embraced the tangy exotic modes and wild irregular rhythms of the countryside, which freed him from "the tyranny of major and minor scales," as he put it. Two sets of Hungarian Folks Songs features some jaunty dialogues with the piano and some added effects – pizzicato, harmonics – to make a splash. The Romanian Folk Dances ratchet up the momentum further, particularly in the final “Polka” and the rollicking “Fast Dance.”
The sonatas offer a striking contrast but there's much to admire here too. A Bach-like grandeur underscores the unaccompanied Sonata (1944), written in the in the final months of Bartók's life for Yehudi Menuhin, and yet more traces of Hungarian folk melodies turn up in the Violin Sonata in E minor, written a half-century earlier.
-- WQXR, Album of the Week [1/20/2013]
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