Orfeo
Beethoven: Fidelio / Bohm, Dermota, Modl, Schoffler, Kamann, Kmentt
$26.99
Details
- Composer
- BEETHOVEN, LUDWIG VAN
- Artist
- Mödl, Dermota, Schoffler, Weber, Seefried, Kmentt, Kamann, Terkal, Jerger, Chor Und Orchester Der Wi
- Format
- CD
- Label
- Orfeo
- Released
- Oct 08, 2010
- Catalog #
- ORF-C813102
- UPC
- 4011790813226
About
Among the opera performances that deserve to be labeled “historic” is the opening night of the new production of Beethoven’s Fidelio unveiled at the Vienna State Opera on 5 November 1955. The accolade is deserved not least because this was the first time that the curtain had gone up in the rebuilt house since wartime bombing raids had reduced it to rubble at the end of the Second World War.
Of course, this says nothing about the musical quality of the occasion, but the present live recording, released to coincide with the start of the new regime under Dominique Meyer and Franz Welser-Möst, allows today’s listeners to judge this quality for themselves. Then, as now, the chorus and orchestra of the Vienna State Opera enjoy the highest reputation and have no equal anywhere else in the world, and under their then director, Karl Böhm, they amply demonstrated their credentials on this gala first night in 1955.
For Böhm, this was the start of a conducting marathon, for the house reopened with no fewer than seven new productions within a matter of only a few days. His Fidelio is notable for its taut and even breathtakingly impulsive tempos, clearly intensifying the impression of a suicide mission on the part of the “angelic Leonore” that Martha Mödl characterized so magnificently throughout this period. Unfortunately listeners can form only a limited impression of her acting, which was every bit as intense as her singing. This was the first time that she had rescued Anton Dermota as her husband, Florestan, his refined singing giving the lie to the widespread belief that the part requires a youthful heldentenor to do it justice. The rest of the cast is likewise made up of legendary names: with her distinctive lyric soprano voice, Irmgard Seefried is almost under-parted as Marzelline, while her father, Rocco, is played by the great bass Ludwig Weber, who only a few days later took on the heroic baritone role of Barak in Die Frau ohne Schatten. The villainous Don Pizarro is sung by Paul Schöffler, who that same week shone as Hans Sachs alongside Seefried’s Eva in Die Meistersinger von Nürnberg. All these singers represent the sort of ensemble spirit that characterizes every great artist and ensures that performances like this one at the Vienna State Opera are always great occasions. - Orfeo
Of course, this says nothing about the musical quality of the occasion, but the present live recording, released to coincide with the start of the new regime under Dominique Meyer and Franz Welser-Möst, allows today’s listeners to judge this quality for themselves. Then, as now, the chorus and orchestra of the Vienna State Opera enjoy the highest reputation and have no equal anywhere else in the world, and under their then director, Karl Böhm, they amply demonstrated their credentials on this gala first night in 1955.
For Böhm, this was the start of a conducting marathon, for the house reopened with no fewer than seven new productions within a matter of only a few days. His Fidelio is notable for its taut and even breathtakingly impulsive tempos, clearly intensifying the impression of a suicide mission on the part of the “angelic Leonore” that Martha Mödl characterized so magnificently throughout this period. Unfortunately listeners can form only a limited impression of her acting, which was every bit as intense as her singing. This was the first time that she had rescued Anton Dermota as her husband, Florestan, his refined singing giving the lie to the widespread belief that the part requires a youthful heldentenor to do it justice. The rest of the cast is likewise made up of legendary names: with her distinctive lyric soprano voice, Irmgard Seefried is almost under-parted as Marzelline, while her father, Rocco, is played by the great bass Ludwig Weber, who only a few days later took on the heroic baritone role of Barak in Die Frau ohne Schatten. The villainous Don Pizarro is sung by Paul Schöffler, who that same week shone as Hans Sachs alongside Seefried’s Eva in Die Meistersinger von Nürnberg. All these singers represent the sort of ensemble spirit that characterizes every great artist and ensures that performances like this one at the Vienna State Opera are always great occasions. - Orfeo
Tracklist 28 tracks
- Disc 1
-
1 Overture 06:22
- Track
- 1
- Title
- Overture
- Duration
- 06:22
- Composer
- Ludwig van Beethoven
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
2 Act I: Duet: Jetzt, Schatzchen, jetzt sind wir allein (Jaquino, Marzelline) 05:08
- Track
- 2
- Title
- Act I: Duet: Jetzt, Schatzchen, jetzt sind wir allein (Jaquino, Marzelline)
- Duration
- 05:08
- Composer
- Ludwig van Beethoven
- Performer
- Waldemar Kmentt, Irmgard Seefried
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
3 Act I: Aria: O war' ich schon mit dir vereint (Marzelline) 04:00
- Track
- 3
- Title
- Act I: Aria: O war' ich schon mit dir vereint (Marzelline)
- Duration
- 04:00
- Composer
- Ludwig van Beethoven
- Performer
- Irmgard Seefried
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
4 Act I: Dialogue: Marzelline? Ist Fidelio noch nicht zurück? (Rocco, Marzelline, Leonore) 00:52
- Track
- 4
- Title
- Act I: Dialogue: Marzelline? Ist Fidelio noch nicht zurück? (Rocco, Marzelline, Leonore)
- Duration
- 00:52
- Composer
- Ludwig van Beethoven
- Performer
- Ludwig Weber, Irmgard Seefried, Martha Mödl
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
5 Act I: Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino) 04:44
- Track
- 5
- Title
- Act I: Quartet: Mir ist so wunderbar (Marzelline, Leonore, Rocco, Jaquino)
- Duration
- 04:44
- Composer
- Ludwig van Beethoven
- Performer
- Irmgard Seefried, Martha Mödl, Ludwig Weber, Waldemar Kmentt
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
6 Act I: Dialogue: Hore Fidelio! (Rocco, Marzelline, Leonore) 01:47
- Track
- 6
- Title
- Act I: Dialogue: Hore Fidelio! (Rocco, Marzelline, Leonore)
- Duration
- 01:47
- Composer
- Ludwig van Beethoven
- Performer
- Ludwig Weber, Irmgard Seefried, Martha Mödl
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
7 Act I: Terzetto: Gut Sohnchen, gut, hab' immer Mut (Rocco, Leonore, Marzelline) 06:25
- Track
- 7
- Title
- Act I: Terzetto: Gut Sohnchen, gut, hab' immer Mut (Rocco, Leonore, Marzelline)
- Duration
- 06:25
- Composer
- Ludwig van Beethoven
- Performer
- Ludwig Weber, Martha Mödl, Irmgard Seefried
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
8 Act I: March 01:59
- Track
- 8
- Title
- Act I: March
- Duration
- 01:59
- Composer
- Ludwig van Beethoven
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
9 Act I: Aria: Ha! Welch ein Augenblick! (Pizarro, Chorus) 03:09
- Track
- 9
- Title
- Act I: Aria: Ha! Welch ein Augenblick! (Pizarro, Chorus)
- Duration
- 03:09
- Composer
- Ludwig van Beethoven
- Performer
- Paul Schöffler
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
10 Act I: Dialogue: Rocco! Die Depeschen! (Pizarro) 01:48
- Track
- 10
- Title
- Act I: Dialogue: Rocco! Die Depeschen! (Pizarro)
- Duration
- 01:48
- Composer
- Ludwig van Beethoven
- Performer
- Paul Schöffler
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
11 Act I: Duet: Jetzt, Alter, jetzt hat es Eile! (Pizarro, Rocco) 04:40
- Track
- 11
- Title
- Act I: Duet: Jetzt, Alter, jetzt hat es Eile! (Pizarro, Rocco)
- Duration
- 04:40
- Composer
- Ludwig van Beethoven
- Performer
- Paul Schöffler, Ludwig Weber
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
12 Act I: Recitative and Aria: Abscheulicher! Wo eilst du hin? (Leonore) 07:17
- Track
- 12
- Title
- Act I: Recitative and Aria: Abscheulicher! Wo eilst du hin? (Leonore)
- Duration
- 07:17
- Composer
- Ludwig van Beethoven
- Performer
- Martha Mödl
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
13 Act I: Rocco, ich ersuchte euch schon (Jaquino, Marzelline, Rocco, Leonore) 00:43
- Track
- 13
- Title
- Act I: Rocco, ich ersuchte euch schon (Jaquino, Marzelline, Rocco, Leonore)
- Duration
- 00:43
- Composer
- Ludwig van Beethoven
- Performer
- Waldemar Kmentt, Irmgard Seefried, Ludwig Weber, Martha Mödl
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
14 Act I: Finale: O welche Lust, in freier Luft den Atem leicht zu heben!, "Prison Chorus" 06:26
- Track
- 14
- Title
- Act I: Finale: O welche Lust, in freier Luft den Atem leicht zu heben!, "Prison Chorus"
- Duration
- 06:26
- Composer
- Ludwig van Beethoven
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
15 Act I: Nun sprecht, wie ging's? (Leonore, Rocco) 04:47
- Track
- 15
- Title
- Act I: Nun sprecht, wie ging's? (Leonore, Rocco)
- Duration
- 04:47
- Composer
- Ludwig van Beethoven
- Performer
- Martha Mödl, Ludwig Weber
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
16 Act I: Ach Vater, Vater, eilt! … Verweg'ner Alter! (Marzelline, Rocco, Jaquino, Pizarro) 02:11
- Track
- 16
- Title
- Act I: Ach Vater, Vater, eilt! … Verweg'ner Alter! (Marzelline, Rocco, Jaquino, Pizarro)
- Duration
- 02:11
- Composer
- Ludwig van Beethoven
- Performer
- Irmgard Seefried, Ludwig Weber, Waldemar Kmentt, Paul Schöffler
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
17 Act I: Leb wohl, du warmes Sonnenlicht (Chorus, Marzelline, Leonore, Jaquino, Pizarro, Rocco) 03:53
- Track
- 17
- Title
- Act I: Leb wohl, du warmes Sonnenlicht (Chorus, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
- Duration
- 03:53
- Composer
- Ludwig van Beethoven
- Performer
- Irmgard Seefried, Martha Mödl, Waldemar Kmentt, Paul Schöffler, Ludwig Weber
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
- Disc 2
-
1 Act II: Introduction and Aria: Gott! Welch' Dunkel hier! (Florestan) 10:30
- Track
- 1
- Title
- Act II: Introduction and Aria: Gott! Welch' Dunkel hier! (Florestan)
- Duration
- 10:30
- Composer
- Ludwig van Beethoven
- Performer
- Anton Dermota
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
2 Act II: Melodrama and Duet: Wie kalt ist es … Nur hurtig fort, nur frisch gegraben (Leonore, Rocco) 05:30
- Track
- 2
- Title
- Act II: Melodrama and Duet: Wie kalt ist es … Nur hurtig fort, nur frisch gegraben (Leonore, Rocco)
- Duration
- 05:30
- Composer
- Ludwig van Beethoven
- Performer
- Martha Mödl, Ludwig Weber
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
3 Act II: Dialogue: Er erwacht! (Leonore, Rocco, Florestan) 01:58
- Track
- 3
- Title
- Act II: Dialogue: Er erwacht! (Leonore, Rocco, Florestan)
- Duration
- 01:58
- Composer
- Ludwig van Beethoven
- Performer
- Martha Mödl, Ludwig Weber, Anton Dermota
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
4 Act II: Terzetto: Euch werde Lohn in bessern Welten (Florestan, Rocco, Leonore) 06:26
- Track
- 4
- Title
- Act II: Terzetto: Euch werde Lohn in bessern Welten (Florestan, Rocco, Leonore)
- Duration
- 06:26
- Composer
- Ludwig van Beethoven
- Performer
- Anton Dermota, Ludwig Weber, Martha Mödl
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
5 Act II: Ich geh (Rocco, Leonore, Florestan, Pizarro) 00:32
- Track
- 5
- Title
- Act II: Ich geh (Rocco, Leonore, Florestan, Pizarro)
- Duration
- 00:32
- Composer
- Ludwig van Beethoven
- Performer
- Ludwig Weber, Martha Mödl, Anton Dermota, Paul Schöffler
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
6 Act II: Quartet: Er sterbe! … Es schlägt der Rache Stunde (Pizarro, Florestan, Leonore, Rocco) 04:35
- Track
- 6
- Title
- Act II: Quartet: Er sterbe! … Es schlägt der Rache Stunde (Pizarro, Florestan, Leonore, Rocco)
- Duration
- 04:35
- Composer
- Ludwig van Beethoven
- Performer
- Paul Schöffler, Anton Dermota, Martha Mödl, Ludwig Weber
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
7 Act II: Duet: O namenlose Freude! (Leonore, Florestan) 02:48
- Track
- 7
- Title
- Act II: Duet: O namenlose Freude! (Leonore, Florestan)
- Duration
- 02:48
- Composer
- Ludwig van Beethoven
- Performer
- Martha Mödl, Anton Dermota
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
8 Act II: Overture - Leonore III - Op. 72a 15:05
- Track
- 8
- Title
- Act II: Overture - Leonore III - Op. 72a
- Duration
- 15:05
- Composer
- Ludwig van Beethoven
- Ensemble
- Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
9 Act II: Finale: Heil! Heil sei dem Tag! (Chorus) 02:03
- Track
- 9
- Title
- Act II: Finale: Heil! Heil sei dem Tag! (Chorus)
- Duration
- 02:03
- Composer
- Ludwig van Beethoven
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
10 Act II: Des besten Konigs Wink und Wille (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline, Florestan) 07:43
- Track
- 10
- Title
- Act II: Des besten Konigs Wink und Wille (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline, Florestan)
- Duration
- 07:43
- Composer
- Ludwig van Beethoven
- Performer
- Karl Kamann, Ludwig Weber, Paul Schöffler, Martha Mödl, Irmgard Seefried, Anton Dermota
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm
-
11 Act II: Wer ein holdes Weib errungen (Chorus, Florestan, Leonore, Marzelline, Jaquino, Don Fernando, Rocco) 04:17
- Track
- 11
- Title
- Act II: Wer ein holdes Weib errungen (Chorus, Florestan, Leonore, Marzelline, Jaquino, Don Fernando, Rocco)
- Duration
- 04:17
- Composer
- Ludwig van Beethoven
- Performer
- Anton Dermota, Martha Mödl, Irmgard Seefried, Waldemar Kmentt, Karl Kamann, Ludwig Weber
- Ensemble
- Chor der Wiener Staatsoper, Orchester der Wiener Staatsoper
- Conductor
- Karl Böhm