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COMPOSERBERNSTEIN, LEONARD
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ORCHESTRA / ENSEMBLEBaltimore Symphony Orchestra, Morgan State University Choir, Peabody Children'S Chorus
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PERFORMERSykes, Alsop
Bernstein: Mass / Sykes, Alsop, Baltimore Symphony
- Naxos
- August 25, 2009
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RELEASE DATEAugust 25, 2009
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UPC636943962220
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CATALOG NUMBER8559622-23
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LABELNaxos
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NUMBER OF DISCS2
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GENRE
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Devotions before Mass: Antiphon: Kyrie eleison (High Soprano, Bass, Soprano 2, Alto, Tenor, Baritone)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Devotions before Mass: Hymn and Psalm, "A Simple Song" (Celebrant)
Composer: Leonard Bernstein
Ensemble: Baltimore Symphony Orchestra
Performer: Jubilant Sykes
Conductor: Marin Alsop
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Devotions before Mass: Responsory, "Alleluia" (Soprano 1, Soprano 2, Alto, Tenor, Baritone, Bass)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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First Introit: Prefatory Prayers (Street Chorus, Soprano 1, Soprano 2, Soprano, Celebrant, Boy Soprano, Boys' Choir)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Peabody Children's Chorus, Baltimore Symphony Orchestra
Performer: Jubilant Sykes, Asher Edward Wulfman
Conductor: Marin Alsop
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First Introit: Thrice-Triple Canon: Dominus vobiscum (Celebrant, Boys' Choir, Street Chorus)
Composer: Leonard Bernstein
Ensemble: Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra
Performer: Jubilant Sykes
Conductor: Marin Alsop
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Second Introit: In nomine Patris (Boys' Choir, Chorus, Celebrant)
Composer: Leonard Bernstein
Ensemble: Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra
Performer: Jubilant Sykes
Conductor: Marin Alsop
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Second Introit: Prayer for the Congregation, "Almighty Father" (Chorus)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Second Introit: Epiphany (Celebrant)
Composer: Leonard Bernstein
Ensemble: Baltimore Symphony Orchestra
Performer: Jubilant Sykes
Conductor: Marin Alsop
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Confession: Confiteor (Chorus)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Confession: Trope, "I Don't Know" (First Rock Singer and Descant, Second Rock Singer, Male Street Chorus)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Confession: Trope, "Easy" (First Blues Singer, Second Rock Singer, Second Blues Singer, Third Rock Singer, Third Blues Singer, First Rock Singer and Descant, Celebrant, Chorus)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Performer: Jubilant Sykes
Conductor: Marin Alsop
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Meditation No. 1
Composer: Leonard Bernstein
Ensemble: Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Gloria: Gloria tibi (Celebrant, Boys' Choir)
Composer: Leonard Bernstein
Ensemble: Peabody Children's Chorus, Baltimore Symphony Orchestra
Performer: Jubilant Sykes
Conductor: Marin Alsop
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Gloria: Gloria in Excelsis (Chorus)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Gloria: Trope, "Half of the People" (Street Chorus, Chorus)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Gloria: Trope, "Thank You" (Soprano, Street Chorus)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Meditation No. 2
Composer: Leonard Bernstein
Ensemble: Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Epistle: "The Word of the Lord" (Celebrant, A Young Man, Another Young Man, Street Chorus, An Older Man, A Young Woman)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Performer: Jubilant Sykes
Conductor: Marin Alsop
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Gospel-Sermon: "God Said" (Preacher, Street Chorus, 5 Solo Voices)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Credo: Credo in unum Deum (Celebrant, Chorus)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Performer: Jubilant Sykes
Conductor: Marin Alsop
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Credo: Trope: "Non Credo" (Street Chorus Male Group, Baritone) - "Crucifixus" (Chorus)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Credo: Trope, "Hurry" (Mezzo-soprano) - Sedet ad dexteram Patris (Chorus)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Credo: Trope, "World without End" (Street Chorus, Mezzo-soprano) - Et in Spiritum Sanctum (Chorus, 3 Solo Voices)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Credo: Trope, "I Believe in God" (3 Solo Voices, Street Chorus, Rock Singer, Chorus)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Meditation No. 3 (De profundis, Part 1) (Chorus, Celebrant)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Performer: Jubilant Sykes
Conductor: Marin Alsop
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Offertory (De profundis, Part 2) (Boys' Choir, Chorus)
Composer: Leonard Bernstein
Ensemble: Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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The Lord's Prayer: Our Father … (Celebrant)
Composer: Leonard Bernstein
Ensemble: Baltimore Symphony Orchestra
Performer: Jubilant Sykes
Conductor: Marin Alsop
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The Lord's Prayer: Trope, "I Go On" (Celebrant)
Composer: Leonard Bernstein
Ensemble: Baltimore Symphony Orchestra
Performer: Jubilant Sykes
Conductor: Marin Alsop
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Sanctus (Celebrant, Boys' Choir, Chorus, Counter-tenors, Street Chorus)
Composer: Leonard Bernstein
Ensemble: Peabody Children's Chorus, Morgan State University Choir, Baltimore Symphony Orchestra
Performer: Jubilant Sykes
Conductor: Marin Alsop
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Agnus Dei (Soloists of Street Chorus, Street Chorus, Celebrant, Chorus)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Conductor: Marin Alsop
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Fraction: "Things Get Broken" (Celebrant)
Composer: Leonard Bernstein
Ensemble: Baltimore Symphony Orchestra
Performer: Jubilant Sykes
Conductor: Marin Alsop
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Pax: Communion, "Secret Songs" (Boy Soprano, Bass, Soprano 1, Soprano 2, Tenor 1, Tenor 2, Street Chorus, Celebrant, Chorus)
Composer: Leonard Bernstein
Ensemble: Morgan State University Choir, Baltimore Symphony Orchestra
Performer: Jubilant Sykes, Asher Edward Wulfman
Conductor: Marin Alsop
Featuring ⌄
Product Details ⌄
Works ⌄
Leonard Bernstein's own version bettered? Yes, indeed! This is, handily, the best sung, best played, most intelligently interpreted recording of Mass currently available. Of course, Bernstein's rendition always will have sterling qualities, including some wonderful solo singers with really characterful "pop" and Broadway voices, but for its sheer musical integrity combined with the advantage of the composer's final revisions to the score, this version is unbeatable. Jubilant Sykes, as the Celebrant, easily outclasses Alan Titus' very fine premiere recording of the role. His voice has more edge; he's more at ease with the various pop idioms; he sounds radiant at the work's opening and grows increasingly desperate as it proceeds. This only serves to make his climactic breakdown tragically believable.
The various street singers are, one and all, terrific. "God Said" becomes the work's comic climax, which is as it should be. "I believe in God", "Confession", "World Without End", and "Thank You" are both idiomatic and beautifully sung. The children's choir sounds luminous in the Sanctus, while the adult chorus, from Morgan State University, sings with gusto as well as immaculate diction, with every word clearly comprehensible. Marin Alsop knits the whole ensemble together with infallible insight and verve. Her tempos, a bit different from Bernstein's, quicker here ("God Said"), a touch slower there (the wild dance in the Offertory), are no less right.
It's all fabulously recorded with a glittering impact that never turns unduly aggressive. The multi-textural layering in the climactic Dona Nobis Pacem comes across as both musically and physically overwhelming. Mass has its detractors, but when performed with this kind of conviction the piece can be inexpressibly moving. Alsop never has made a finer recording--it's both a tribute to her mentor Leonard Bernstein, as well as to her exceptional talent as an exponent of his music.
--David Hurwitz, ClassicsToday.com (10/10)
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