Katharina Treutler's new release offers devilish pleasure alongside intimate worship of God. For example, Ligeti's tricky, demonic 'Treppenwitz' stands opposite the glistening piano work of the faithful Catholic Messiaen. Enlivened by variations of the Holy Spirit, his music seems to sparkle through the windows of an important French cathedral. Katharina Treutler has given numerous recitals around the world, performing in Europe, Asia and in the United States. As a soloist she has played with leading orchestras such as the London Symphony Orchestra, the San Francisco Symphony, the Tokyo Philharmonic, the Armenian Philharmonic, the Baltimore Symphony Orchestra, Staatsorchester Rheinische Philharmonie, the San Diego Symphony, the Netherlands Philharmonic Orchestra and the Royal Stockholm Philharmonic Orchestra. In February 2015, the album Final Symphony was released worldwide with Katharina performing works by composer Nobuo Uematsu. Featuring pieces performed with the London Symphony Orchestra, as well as solo performances, the album was recorded at London’s Abbey Road Studios and reached number one in the iTunes Classical Music Charts in more than ten countries, as well as the Classical Album top 5 of the Billboard Charts and the Official Charts UK. Her other albums include a recording of Brahms’ Piano Concerto No. 1.