Brahms: The Piano Concertos

Regular price $18.99
Label
Haenssler Classic
Release Date
June 7, 2024
Format
Added to Cart! View cart or continue shopping.


    Featuring
    • COMPOSER
      Johannes Brahms
    • PERFORMER
      Michael Korstick, Deutsches Symphonie-Orchester Berlin
    Product Details
    • RELEASE DATE
      June 07, 2024
    • UPC
      881488230826
    • CATALOG NUMBER
      HC23082
    • LABEL
      Haenssler Classic
    • NUMBER OF DISCS
      2
    • GENRE
    Works
    1. I. Maestoso

      Composer: Johannes Brahms

      Ensemble: Deutsches Symphonie-Orchester Berlin

      Performer: Michael Korstick

      Conductor: Constantin Trinks

    2. II. Adagio

      Composer: Johannes Brahms

      Ensemble: Deutsches Symphonie-Orchester Berlin

      Performer: Michael Korstick

      Conductor: Constantin Trinks

    3. III. Rondo: Allegro non troppo

      Composer: Johannes Brahms

      Ensemble: Deutsches Symphonie-Orchester Berlin

      Performer: Michael Korstick

      Conductor: Constantin Trinks

    4. I. Allegro non troppo

      Composer: Johannes Brahms

      Ensemble: Deutsches Symphonie-Orchester Berlin

      Performer: Michael Korstick

      Conductor: Constantin Trinks

    5. II. Allegro appassionato

      Composer: Johannes Brahms

      Ensemble: Deutsches Symphonie-Orchester Berlin

      Performer: Michael Korstick

      Conductor: Constantin Trinks

    6. III. Andante

      Composer: Johannes Brahms

      Ensemble: Deutsches Symphonie-Orchester Berlin

      Performer: Michael Korstick

      Conductor: Constantin Trinks

    7. IV. Allegretto grazioso

      Composer: Johannes Brahms

      Ensemble: Deutsches Symphonie-Orchester Berlin

      Performer: Michael Korstick

      Conductor: Constantin Trinks


Johannes Brahms: Klavierkonzerte, Michael Korstick, DSO Berlin, Constantin Trinks The two piano concertos by Johannes Brahms occupy an uncontested place in the pantheon of the greatest works of this genre. At the same time they play a unique role in the development of the concerto form in the 19th Century, particularly in view of their uneven history of reception.