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COMPOSERWalter Braunfels
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ORCHESTRA / ENSEMBLEMinguet Quartett
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PERFORMERMinguet Quartett
Braunfels: String Quartets Nos. 1-3 & Quintet / Maintz, Minguet Quartett
- CAvi-music
- September 16, 2022
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RELEASE DATESeptember 16, 2022
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UPC4260085530182
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CATALOG NUMBERAVI 8553018
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LABELCAvi-music
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NUMBER OF DISCS2
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GENRE
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Peras
Composer: Johannes Maria Staud
Performer: Anika Vavić
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Ahu Tongariki
Composer: Marco Stroppa
Performer: Tamara Stefanovich
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Birichino, come un furetto
Composer: Marco Stroppa
Performer: Tamara Stefanovich
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Innige Cavatina
Composer: Marco Stroppa
Performer: Tamara Stefanovich
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Prologos
Composer: Marco Stroppa
Performer: Tamara Stefanovich
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I. Entree
Composer: York Höller
Performer: Tamara Stefanovich
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II. Initium
Composer: York Höller
Performer: Tamara Stefanovich
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III. Widerhall
Composer: York Höller
Performer: Tamara Stefanovich
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IV. Widmung
Composer: York Höller
Performer: Tamara Stefanovich
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V. Zwiegesprach
Composer: York Höller
Performer: Tamara Stefanovich
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VI. Artikulation
Composer: York Höller
Performer: Tamara Stefanovich
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VII. Frenesie
Composer: York Höller
Performer: Tamara Stefanovich
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VIII. Gemassigter Aufschwung
Composer: York Höller
Performer: Tamara Stefanovich
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IX. Verzweigung
Composer: York Höller
Performer: Tamara Stefanovich
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X. Tastengelaut
Composer: York Höller
Performer: Tamara Stefanovich
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XI. Elegia giocosa
Composer: York Höller
Performer: Tamara Stefanovich
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XII. Lines and Shadows
Composer: York Höller
Performer: Tamara Stefanovich
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XIII. Fluktuation
Composer: York Höller
Performer: Tamara Stefanovich
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XIV. Scanning
Composer: York Höller
Performer: Tamara Stefanovich
Featuring ⌄
Product Details ⌄
Works ⌄
Walter Braunfels wrote his first two string quartets in 1944; they were followed after the war by the String Quintet (1946/47), the Third String Quartet (1946/47), and the new Final Movement composed for the latter (1953). All these works meet the highest standards in terms of transparent voice leading, closely knit polyphony, and boldly expanded tonal harmony. In 1933 he was dismissed from all posts, regardless of his merits, because he was half Jewish. Braunfels was restored to his post of director at Cologne Conservatory in 1945. . Braunfels was swimming against the tide: profoundly rooted in the Classical-Romantic tradition, his style was deemed inconvenient in the face of prevalent postmodern tendencies in the first years after the war.
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