Brian: Symphonies Nos. 7 & 16

Regular price $13.99
Label
Naxos
Release Date
May 10, 2019
Format
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    Featuring
    • COMPOSER
      BRIAN, HAVERGAL
    • ORCHESTRA / ENSEMBLE
      New Russia State Symphony Orchestra
    • PERFORMER
      Walker
    Product Details
    • RELEASE DATE
      May 10, 2019
    • UPC
      747313395972
    • CATALOG NUMBER
      8573959
    • LABEL
      Naxos
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. The Tinker's Wedding, Overture

      Composer: Havergal Brian

      Ensemble: New Russia State Symphony Orchestra

      Conductor: Alexander Walker

    2. I. Allegro moderato

      Composer: Havergal Brian

      Ensemble: New Russia State Symphony Orchestra

      Conductor: Alexander Walker

    3. II. Allegro moderato ma maestoso

      Composer: Havergal Brian

      Ensemble: New Russia State Symphony Orchestra

      Conductor: Alexander Walker

    4. III. Adagio - Allegro moderato - Adagio

      Composer: Havergal Brian

      Ensemble: New Russia State Symphony Orchestra

      Conductor: Alexander Walker

    5. IV. Epilogue: Once upon a time: Moderato

      Composer: Havergal Brian

      Ensemble: New Russia State Symphony Orchestra

      Conductor: Alexander Walker

    6. Symphony No. 16

      Composer: Havergal Brian

      Ensemble: New Russia State Symphony Orchestra

      Conductor: Alexander Walker


Havergal Brian's late creativity is almost unparalleled in musical history- in the last two decades of his life he wrote 25 symphonies. No. 7, the last of his truly large-scale symphonies, was inspired by Goethe's autobiographical account of his time as a student in Strasbourg. Symphony No. 16 is a tough single-movement work, evoking Ancient Greece and the savagery of the Persian Wars. In bright contrast The Tinker's Wedding is a sparkling comedy overture based on the play by J.M. Synge. The New Russia State Symphony Orchestra was founded in 1990. In 2002 Yuri Bashmet became it's director, opening a new chapter in it's history and bringing his own inimitable manner of interpretation, whereby each concert evokes the feeling that the music is being created anew.