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COMPOSERBRITTEN PROKOFIEV
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PERFORMERMueller-Schott, Piemontesi
Britten, Prokofiev & Shostakovich: The Cello Sonatas
- Orfeo
- April 14, 2015
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RELEASE DATEApril 14, 2015
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UPC4011790872124
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CATALOG NUMBERORF-C872151A
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LABELOrfeo
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NUMBER OF DISCS1
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GENRE
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I. Andante grave
Composer: Sergei Prokofiev
Performer: Daniel Müller-Schott, Francesco Piemontesi
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II. Moderato
Composer: Sergei Prokofiev
Performer: Daniel Müller-Schott, Francesco Piemontesi
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III. Allegro ma non troppo
Composer: Sergei Prokofiev
Performer: Daniel Müller-Schott, Francesco Piemontesi
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I. Dialogo
Composer: Benjamin Britten
Performer: Daniel Müller-Schott, Francesco Piemontesi
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II. Scherzo-pizzicato
Composer: Benjamin Britten
Performer: Daniel Müller-Schott, Francesco Piemontesi
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III. Elegia
Composer: Benjamin Britten
Performer: Daniel Müller-Schott, Francesco Piemontesi
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IV. Marcia
Composer: Benjamin Britten
Performer: Daniel Müller-Schott, Francesco Piemontesi
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V. Moto Perpetuo
Composer: Benjamin Britten
Performer: Daniel Müller-Schott, Francesco Piemontesi
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I. Allegro non troppo
Composer: Dmitri Shostakovich
Performer: Daniel Müller-Schott, Francesco Piemontesi
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II. Allegro
Composer: Dmitri Shostakovich
Performer: Daniel Müller-Schott, Francesco Piemontesi
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III. Largo
Composer: Dmitri Shostakovich
Performer: Daniel Müller-Schott, Francesco Piemontesi
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IV. Allegro
Composer: Dmitri Shostakovich
Performer: Daniel Müller-Schott, Francesco Piemontesi
Featuring ⌄
Product Details ⌄
Works ⌄
This new CD by Daniel Müller-Schott and Francesco Piemontesi offers three sonatas for cello and piano, works that sum up several chapters of 20th c. history that go far beyond the merely musical. Sergei Prokofiev displays a masterly serenity in his songlike Sonata in C, op. 119, composed in 1949. It makes evident his adjustment to the cultural politics of the Soviet Union – to which this world-famous composer had returned just twelve years before – but is also tailor-made for an exceptional cello-piano duo. Dmitri Shostakovich’s Sonata in d minor, op. 40 is no less marked by fate. It was on the program of a concert tour given by the composer and his cello partner Viktor Kubatsky in 1936 when Shostakovich was put on the Stalinist index of undesirables, on orders from the very top. Finally, Benjamin Britten’s Sonata in C, op. 65 marked the beginning of a productive, creative friendship with Rostropovich that was established, despite many a problem posed by the Cold War, in Aldeburgh in 1961 when performed by the composer and Rostropovich.
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