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COMPOSERBUXTEHUDE, DIETRICH
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PERFORMERMembra Jesu Nostri
Buxtehude: Membra Jesu Nostri
- Coro
- March 29, 2010
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RELEASE DATEMarch 29, 2010
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UPC828021608223
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CATALOG NUMBERCOR16082
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LABELCoro
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NUMBER OF DISCS1
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GENRE
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I. Ad pedes: Sonata
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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I. Ad pedes: Ecce super montes pedes
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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I. Ad pedes: Ecce super montes pedes
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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I. Ad pedes: Salve mundi salutare
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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I. Ad pedes: Clavos pedum
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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I. Ad pedes: Dulcis Jesu
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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I. Ad pedes: Ecce super montes pedes
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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II. Ad genua: Sonata in tremulo
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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II. Ad genua: Ad ubera portabimini
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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II. Ad genua: Quid sum tibi responsurus
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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II. Ad genua: Ut te quaeram mente pura
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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II. Ad genua: Ad ubera portabimini
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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III. Ad manus: Sonata
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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III. Ad manus: Quid sunt plagae
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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III. Ad manus: Salve Jesu, pastor bone
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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III. Ad manus: Manus sanctae
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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III. Ad manus: In cruore tuo lotum
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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III. Ad manus: Quid sunt plagae
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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IV. Ad latus: Sonata
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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IV. Ad latus: Surge, amica mea, speciosa mea
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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IV. Ad latus: Salve latus salvatoris
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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IV. Ad latus: Ecce tibi appropinquo
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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IV. Ad latus: Hora mortis
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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IV. Ad latus: Surge, amica mea, speciosa mea
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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V. Ad pectus: Sonata
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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V. Ad pectus: Sicut modo geniti infantes rationabiles
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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V. Ad pectus: Salve, salus mea, Deus
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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V. Ad pectus: Pectus mihi confer mundum
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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V. Ad pectus: Ave, verum templum
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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V. Ad pectus: Sicut modo geniti infantes rationabiles
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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VI. Ad cor: Sonata
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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VI. Ad cor: Vulnerasti cor meum
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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VI. Ad cor: Summi regis cor, aveto
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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VI. Ad cor: Per medullam
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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VI. Ad cor: Viva cordis voce clamo
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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VI. Ad cor: Vulnerasti cor meum
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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VII. Ad faciem: Sonata
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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VII. Ad faciem: Illustra faciem tuam
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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VII. Ad faciem: Salve, caput cruentatum
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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VII. Ad faciem: Dum me mori est necesse
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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VII. Ad faciem: Cum me jubes emigrare
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
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VII. Ad faciem: Amen
Composer: Dieterich Buxtehude
Ensemble: The Sixteen Choir
Conductor: Harry Christophers
Featuring ⌄
Product Details ⌄
Works ⌄
BUXTEHUDE Membra Jesu Nostri • Harry Christophers, dir; The Sixteen • CORO COR 16082 (61:23 Text and Translation)
After a thorough look at the extensive representation of this work on disc ( Fanfare 31:5), we get a reissue of an earlier version first reviewed by colleague Michael Carter (25:5), who described as “a smattering of recordings” a Buxtehude discography that has embraced more than 80 of the 120 cantatas stretching back to 1937, a count that is now up to 90, with more than a dozen versions of some of the more familiar works. This version’s performing forces were almost exactly replicated by Alexander Weimann in that recent disc, with five solo singers, nine string players, and organ (Weimann had eight Baroque string instruments). While Weimann delivered one of the two fastest performances in my collection, Harry Christophers hits the median timing, never a bad thing in ranking any competitive series. The recent solo-voice performances include René Jacobs (both versions), Konrad Junghänel, and Jos van Veldhoven in addition to these two, so that will narrow the field for purists. Otherwise, there are some fine performances among the more recent versions cited in the previous review. If I had to limit my choice to a single version, however, it would be Harry Christophers and his sterling group of soloists.
FANFARE: J. F. Weber
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