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COMPOSERWilliam Byrd
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PERFORMERAlamire, Jacob Heringman, Lynda Sayce, Fretwork
Byrd: 1589 / Skinner, Alamire, Fretwork
- Inventa Records
- May 19, 2023
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RELEASE DATEMay 19, 2023
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UPC5060262793503
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CATALOG NUMBERINV1011
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LABELInventa Records
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NUMBER OF DISCS2
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GENRE
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O Lord rebuke me not
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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Right blest are they
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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Lord in Thy Wrath Correct Me Not
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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O God, which art most merciful
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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Lord, hear my prayer
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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From depth of sin
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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Attend mine humble prayer
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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Susanna fair
Composer: William Byrd
Ensemble: Alamire
Performer: Lynda Sayce, Jacob Heringman
Conductor: David Skinner
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The Nightingale
Composer: William Byrd
Ensemble: Alamire
Performer: Jacob Heringman, Lynda Sayce
Conductor: David Skinner
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When Younglings First
Composer: William Byrd
Ensemble: Alamire
Performer: Jacob Heringman, Lynda Sayce
Conductor: David Skinner
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Upon a summer's day
Composer: William Byrd
Ensemble: Alamire
Performer: Jacob Heringman, Lynda Sayce
Conductor: David Skinner
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The greedy hawk
Composer: William Byrd
Ensemble: Alamire
Performer: Jacob Heringman, Lynda Sayce
Conductor: David Skinner
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Is love a boy
Composer: William Byrd
Ensemble: Fretwork
Performer: Clare Wilkinson, Jacob Heringman, Lynda Sayce
Conductor: David Skinner
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Wounded I am
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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From Citheron the warlike boy
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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O Lord my God
Composer: William Byrd
Ensemble: Alamire
Performer: Jacob Heringman, Lynda Sayce
Conductor: David Skinner
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While that the sun
Composer: William Byrd
Ensemble: Alamire
Performer: Jacob Heringman, Lynda Sayce
Conductor: David Skinner
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Weeping full sore
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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Penelope that longed for the sigh
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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Compel the hawk
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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See those sweet eyes (arr. for voice and lute)
Composer: William Byrd
Ensemble: Alamire
Performer: Clare Wilkinson, Jacob Heringman, Lynda Sayce
Conductor: David Skinner
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When I was otherwise
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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When first by force
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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I thought that love had been a boy
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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O dear life (arr. for voice and lute)
Composer: William Byrd
Ensemble: Alamire
Performer: Clare Wilkinson, Jacob Heringman, Lynda Sayce
Conductor: David Skinner
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From virgin's womb
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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Of gold all burnished
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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Behold how good a thing
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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An earthly tree
Composer: William Byrd
Ensemble: Fretwork
Conductor: David Skinner
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Who made thee, Hob, forsake the plough? (arr. for voice and lute)
Composer: William Byrd
Ensemble: Alamire
Performer: Martha McLorinan, Clare Wilkinson, Jacob Heringman, Lynda Sayce
Conductor: David Skinner
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And think ye nymphs (arr. for voice and lute)
Composer: William Byrd
Ensemble: Alamire
Performer: Jacob Heringman, Lynda Sayce
Conductor: David Skinner
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If in thine heart
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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Unto the Hills Mine Eyes I Lift
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
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Christ rising again
Composer: William Byrd
Ensemble: Alamire
Conductor: David Skinner
Featuring ⌄
Product Details ⌄
Works ⌄
Byrd’s first song collection was published in 1588. In the following year he writes that he had ‘bene encouraged thereby, to take further paines therein, and to make the pertaker thereof, because I would shew my selfe gratefull to thee for thy loue, and desirous to delight thee with varietie, whereof (in my opinion) no Science is more plentifully adorned then Musicke.’ This 1589 collection, therefore, offers songs of 3, 4, 5 and 6 parts, ‘to serue for all companies and voyces: whereof some are easie and plaine to sing, [while] other more hard and dificult.’ Byrd clearly sought to be as inclusive as possible for all musicians, amateur and professional. With the 1589 collection, Byrd’s complete early song collections are now committed to recording. Together they provide a variety themes and textures, as well as vocal and instrumental combinations, demonstrating the richness of Elizabethan courtly music.
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