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COMPOSERBACH, C.P.E.
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PERFORMERMichael Rische, Kammersymphonie Leipzig, Klaas
C. P. E. Bach: Piano Concertos / Rische, Klaas, Leipzig Chamber Symphony
- Haenssler Classic
- February 25, 2014
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RELEASE DATEFebruary 25, 2014
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UPC4010276026617
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CATALOG NUMBER98027
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LABELHaenssler Classic
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NUMBER OF DISCS1
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GENRE
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I. Allegro
Composer: Carl Philipp Emanuel Bach
Ensemble: Leipziger Kammerorchester
Performer: Michael Rische
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II. Poco andante
Composer: Carl Philipp Emanuel Bach
Ensemble: Leipziger Kammerorchester
Performer: Michael Rische
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III. Allegro di molto
Composer: Carl Philipp Emanuel Bach
Ensemble: Leipziger Kammerorchester
Performer: Michael Rische
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I. Adagio - Presto
Composer: Carl Philipp Emanuel Bach
Performer: Michael Rische
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II. Adagio
Composer: Carl Philipp Emanuel Bach
Performer: Michael Rische
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III. Allegro
Composer: Carl Philipp Emanuel Bach
Performer: Michael Rische
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I. Allegro
Composer: Carl Philipp Emanuel Bach
Ensemble: Leipziger Kammerorchester
Performer: Michael Rische, Rainer Maria Klaas
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II. Largo
Composer: Carl Philipp Emanuel Bach
Ensemble: Leipziger Kammerorchester
Performer: Michael Rische, Rainer Maria Klaas
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III. Allegro assai
Composer: Carl Philipp Emanuel Bach
Ensemble: Leipziger Kammerorchester
Performer: Michael Rische, Rainer Maria Klaas
Featuring ⌄
Product Details ⌄
Works ⌄
Bach designed these latter works for popular consumption: they belong to his “easy” pieces, both technically (not really) and in terms of their moderate length and less weird than usual harmonic syntax. However, this doesn’t mean that the music is in any way bland or boring. Even in the brief central Adagio, only two and a half minutes long, Bach spins out a curiously affecting, consistently intriguing melodic line. Really, the man couldn’t write a boring keyboard piece if he wanted to.
Aside from the brilliant, early-ish D minor Concerto Wq. 22, the other major work is the double concerto in F major, Wq. 46, in which Rische is joined by Rainer Maria Klaas to make up a richly sonorous duo. There is only one other double concerto by Bach, specifically written for harpsichord and piano, which appears on the BIS complete cycle, but this wonderful piece deserves to be hugely more popular than it is. At twenty five minutes it’s a major work, with horns added to the string orchestra, and it would grace any concerto program.
As in previous releases in this series, the playing sparkles in the outer movements, and reveals a whole winning lyricism and sentiment in the central slow ones. Rische exploits the capacity of the modern piano fully, but always tastefully and stylishly, in the service of the music. The playing of the Kammersymphonie Leipzig is also excellent, here without conductor, unlike the earlier releases. First rate.
-- David Hurwitz, ClassicsToday.com
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