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COMPOSERC.P.E. BACH
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PERFORMERMiklos Spanyi
C.P.E. Bach: Solo Keyboard Music, Vol. 27
- BIS
- November 19, 2013
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RELEASE DATENovember 19, 2013
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UPC7318590020432
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CATALOG NUMBERBIS-2043
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LABELBIS
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NUMBER OF DISCS1
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GENRE
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I. Allegro assai
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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II. Largo e sostenuto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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III. Presto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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I. Allegro assai
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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II. Larghetto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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III. Allegro
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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I. Allegro di molto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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II. Poco adagio
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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III. Allegretto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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Keyboard Sonata in D Minor, Wq. 51/4, H. 128, "Fortsetzung Sonata No. 4": II. Largo e sostenuto (embellished version)
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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Keyboard Sonata in F Major, Wq. 51/5, H. 141, "Fortsetzung Sonata No. 5": II. Larghetto (embellished version)
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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Keyboard Sonata in G Minor, Wq. 51/6, H. 62, "Fortsetzung Sonata No. 6": II. Poco adagio (embellished version)
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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I. Allegro moderato
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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II. Andante
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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III. Allegro
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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Keyboard Sonata in A Minor, Wq. 50/3, H. 138: III. Allegro moderato ma innocentemente (varied version)
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
Featuring ⌄
Product Details ⌄
Works ⌄
This disc completes the set of CPE Bach’s Fortsetzung Sonatas, Wq51 that began in Volume 26 in this series. Although the sonatas were not published together with the composer's own variants on them, such alternative versions exist in manuscript, and splitting this set of large-scale works over two discs, Miklós Spányi also includes recordings of these varied or embellished versions that may represent the composer's revisions but could equally well have been intended as study material for his students.
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