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COMPOSERBACH, CPE
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PERFORMERMiklos Spanyi
C.P.E. Bach: The Solo Keyboard Music, Vol. 28
- BIS
- September 9, 2014
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RELEASE DATESeptember 09, 2014
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UPC7318590020456
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CATALOG NUMBERBIS-CD-2045
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LABELBIS
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NUMBER OF DISCS1
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GENRE
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I. Poco allegro
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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II. Adagio assai
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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III. Presto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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I. Allegretto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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II. Larghetto e sempre piano
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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III. Allegro
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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I. Andante ed amoroso
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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II. Allegretto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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III. Allegro moderato
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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Veranderungen und Auszierungen zu einigen meiner Sonaten, Wq. 68, H. 164: Keyboard Sonata in G minor, Wq. 52/3, H. 158: I. Andante ed amoroso (embellished version)
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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I. Allegro
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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II. Andante
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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III. Allegretto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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I. Allegretto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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II. Largo
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
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III. Presto
Composer: Carl Philipp Emanuel Bach
Performer: Miklós Spányi
Featuring ⌄
Product Details ⌄
Works ⌄
C.P.E Bach's 'Zweyte Fortsetzung' Sonatas are a sequel to his famous Sonatas with Varied Reprises (1760). Of the six 'Fortsetzung' Sonatas, the first three appear here. The pre-sequel set had proven successful, possibly because it included written-out ‘improvisations’ for repeated sections - a feature, oddly, more or less absent from its two sequels. However, an alternative version exists of the first movement of Sonata No.3, which Miklós Spányi includes here, together with two unrelated 1760s sonatas. The second sequel also includes two stylistically contrasting 1740s era sonatas.
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