Brentner, Zipoli, Schmid, Telemann: Cachua Serranita / Semeradova, Collegium Marianum

$23.99
Label
Supraphon
Release Date
March 18, 2022
Format
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    Featuring ⌄
    • COMPOSER
      Anonymous, Jan Josef Ignac Brentner, Kristian Gottfried Hirschmenzel, Jan Antonin Losy, Martin Schmi
    • PERFORMER
      Collegium Marianum, Jana Semeradova
    Product Details ⌄
    • RELEASE DATE
      March 18, 2022
    • UPC
      099925430924
    • CATALOG NUMBER
      SU4309-2
    • LABEL
      Supraphon
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. Hanaq pachap cussicuinin [Hymn to the Virgin Mary, Lima 1631]

      Composer: Anonymous

      Ensemble: Collegium Marianum

    2. Moravica and Bohemicus saltus

      Composer: Kristian Godefridus Hirschmentzel

      Ensemble: Collegium Marianum

    3. Šla panenka smutnì [Book of Haná Dances for Clavichord, ca. 1700]

      Composer: Anonymous

      Ensemble: Collegium Marianum

    4. Aria hannaco

      Composer: Jan Antonín Losy

      Ensemble: Collegium Marianum

    5. Overture (Suite) in D Major, TWV 55:D3, "Concerto Polonoise": VI. Hanaquoise

      Composer: Georg Philipp Telemann

      Ensemble: Collegium Marianum

    6. I. Allegro staccato

      Composer: Johann Joseph Ignaz Brentner

      Ensemble: Collegium Marianum

    7. II. Largo

      Composer: Johann Joseph Ignaz Brentner

      Ensemble: Collegium Marianum

    8. III. Menuet

      Composer: Johann Joseph Ignaz Brentner

      Ensemble: Collegium Marianum

    9. Zuipaqui - Ad Mariam

      Composer: Anonymous, Domenico Zipoli

      Ensemble: Collegium Marianum

    10. Bourrée and Capriccio

      Composer: Johann Joseph Ignaz Brentner

      Ensemble: Collegium Marianum

    11. Vyletěla holuběnka ze skály

      Composer: Traditional

      Ensemble: Collegium Marianum

    12. I. —

      Composer: Martin Anton Schmid

      Ensemble: Collegium Marianum

    13. II. Allegro

      Composer: Martin Anton Schmid

      Ensemble: Collegium Marianum

    14. III. Adagio

      Composer: Martin Anton Schmid

      Ensemble: Collegium Marianum

    15. IV. Allegro

      Composer: Martin Anton Schmid

      Ensemble: Collegium Marianum

    16. Taye jueves Santo [Santa Cruz de la Sierra, 18th century]

      Composer: Anonymous

      Ensemble: Collegium Marianum

    17. Musique de table, Part I: Overture (Suite) in E Minor, TWV 55:e1: X. Hanasky

      Composer: Georg Philipp Telemann

      Ensemble: Collegium Marianum

    18. 3 Peruvian Songs

      Composer: Anonymous

      Ensemble: Collegium Marianum

    19. Na svatém kopečku

      Composer: Traditional

      Ensemble: Collegium Marianum

    20. Když jsem já šel na svatý kopeček

      Composer: Traditional

      Ensemble: Collegium Marianum

    21. Cachua serranita [Codex Martínez Compañón, Peru, 18th century]

      Composer: Anonymous

      Ensemble: Collegium Marianum


We have the concept of globalization associated with the 20th century, but without much exaggeration we can apply it to the Jesuit missions in South America in the 17th and 18th centuries. The Jesuits were aware of the power of music, which profoundly touches the human heart. The European music they brought across the ocean was in no time embraced by the indigenous peoples in Bolivia and Peru. And thus works by the Czech composer Josef Brentner, the Italian Jesuit Domenico Zipoli or the Swiss missionary Martin Schmid were soon performed in the settlements in the middle of the jungle and in the mountains. European music blended with the traditional local music, just as the Quechua language blended with Spanish. Through music and singing they praised God and prayed to the Virgin Mary, as we can hear in the Quechua procession hymn Hanaq pachap cussicuinin or Zipoli’s Zuipaqui. However, similarly vivid instrumental music, songs and dances were enjoyed in Moravia, in the very heart of Europe. And again the globalization in music: many a folk song and dance was imbued with elements of “high culture”, and vice versa, G. P. Telemann did not hide enthusiasm and direct inspiration from Silesian and Haná folk music in his work. And songs worshipping the Mother of God were sung in spectacular churches, village chapels and fields alike. Yet whether European music was performed in the jungle or Haná melodies in Hamburg, the common denominator was enthusiastic musicians who knew no greater delight than getting together and playing. Just like Collegium Marianum on this recording. Let us rejoice together! The unbridled joy of music. In Bolivia, Peru, Moravia. In the Baroque era and today alike.