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COMPOSERVARIOUS
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PERFORMERBerliner Barock Solisten, Goebel, Appl
Cantatas of the Bach Family / Appl, Goebel, Berlin Baroque Soloists
- Haenssler Classic
- June 19, 2020
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RELEASE DATEJune 19, 2020
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UPC881488190816
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CATALOG NUMBERHC19081
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LABELHaenssler Classic
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NUMBER OF DISCS1
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GENRE
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Aria
Composer: Carl Philipp Emanuel Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Recitative
Composer: Carl Philipp Emanuel Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Aria
Composer: Carl Philipp Emanuel Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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I. Allegro
Composer: Carl Philipp Emanuel Bach
Ensemble: Berlin Baroque Soloists
Conductor: Reinhard Goebel
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II. Andante
Composer: Carl Philipp Emanuel Bach
Ensemble: Berlin Baroque Soloists
Conductor: Reinhard Goebel
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III. Allegro assai
Composer: Carl Philipp Emanuel Bach
Ensemble: Berlin Baroque Soloists
Conductor: Reinhard Goebel
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Recitative: Abgottin meiner Seele!
Composer: Johann Christoph Friedrich Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Allegro: Ihr Gotter, welche Phantasein!
Composer: Johann Christoph Friedrich Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Recitative: Nicht taub, nicht fuhllos, nein
Composer: Johann Christoph Friedrich Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Andante - Recitative: Ach, dass mein irdisch Ohr
Composer: Johann Christoph Friedrich Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Accompaniment
Composer: Johann Christoph Friedrich Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Adagio
Composer: Johann Christoph Friedrich Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Andante
Composer: Johann Christoph Friedrich Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Larghetto
Composer: Johann Christoph Friedrich Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Allegretto: Bald sollen diese Lippen
Composer: Johann Christoph Friedrich Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Recitative: Ja diese leichte Muhe
Composer: Johann Christoph Friedrich Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Larghetto: Allgutige! Wofern dich hier
Composer: Johann Christoph Friedrich Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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I. Allegro
Composer: Wilhelm Friedemann Bach
Ensemble: Berlin Baroque Soloists
Conductor: Reinhard Goebel
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II. Andante
Composer: Wilhelm Friedemann Bach
Ensemble: Berlin Baroque Soloists
Conductor: Reinhard Goebel
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III. Presto
Composer: Wilhelm Friedemann Bach
Ensemble: Berlin Baroque Soloists
Conductor: Reinhard Goebel
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Aria: Ich habe genug
Composer: Johann Sebastian Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Recitative: Ich habe genug! Mein Trost ist nur allein
Composer: Johann Sebastian Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Aria: Schlummert ein, ihr matten Augen
Composer: Johann Sebastian Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Recitative: Mein Gott! Wann kömmt das schöne
Composer: Johann Sebastian Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
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Aria: Ich freue mich auf meinen Tod
Composer: Johann Sebastian Bach
Ensemble: Berlin Baroque Soloists
Performer: Benjamin Appl
Conductor: Reinhard Goebel
Featuring ⌄
Product Details ⌄
Works ⌄
As we reflect on Johann Sebastian Bach and his sons, we are all too likely to overlook the fact that there were six sons from two marriages who “inclined towards Music”. True, Maria Barbara’s third son Johann Gottfried Bernhard, born in Weimar in 1715, more or less disappeared from view in 1737, and it is plain that Anna Magdalena’s first son Gottfried Heinrich, born in 1724, was mentally handicapped: “A great Genius, which however was never developed,” wrote his half-brother Carl Philipp Emanuel in the family chronicle. For thirty years, making and writing music, he had been the musical front-runner in Saxony and Thuringia: the vanguard was located wherever he was, in his hands and at his writing-desk. Increasingly, twenty-year-olds and a few late starters in their thirties were coming on to the market and showing Bach a new way forward: the galant style, spreading north from Naples ever since 1715, and the flamboyant, ever more richly ornamented music of the late Baroque, constantly threatening to break down under the weight of emblematic connotation and religious symbolism, in contrast to that simpler form, written by mortals for mortals, distinguished by its slow, easily comprehensible harmony and its truly singable melodies in what was at most an expanded two-part structure.
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