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COMPOSERBERETTI CONTI GALUPPI MONZA
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PERFORMERUbellacker, Banholzer, La Gioia Armonica
Canti, Galuppi, Monza: Per Il Salterio / La Gioia Armonica
- Ramee
- May 28, 2021
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RELEASE DATEMay 28, 2021
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UPC4250128519069
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CATALOG NUMBERRAM1906
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LABELRamee
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NUMBER OF DISCS1
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GENRE
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I. Vivace assai
Composer: Angelo Conti
Ensemble: La Gioia Armonica
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II. Grazioso
Composer: Angelo Conti
Ensemble: La Gioia Armonica
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III. Minuetto Variazione
Composer: Angelo Conti
Ensemble: La Gioia Armonica
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I. Allegro
Composer: Carlo Monza
Ensemble: La Gioia Armonica
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II. Largo
Composer: Carlo Monza
Ensemble: La Gioia Armonica
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III. Minuetto
Composer: Carlo Monza
Ensemble: La Gioia Armonica
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I. Allegro
Composer: Anonymous
Ensemble: La Gioia Armonica
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II. Cantabile
Composer: Anonymous
Ensemble: La Gioia Armonica
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III. Allegro
Composer: Anonymous
Ensemble: La Gioia Armonica
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I. Andante
Composer: Carlo Monza
Ensemble: La Gioia Armonica
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II. Presto
Composer: Carlo Monza
Ensemble: La Gioia Armonica
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I. Adagio
Composer: Baldassare Galuppi
Performer: Jürgen Banholzer
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II. Allegro
Composer: Baldassare Galuppi
Performer: Jürgen Banholzer
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III. Spiritoso e staccato
Composer: Baldassare Galuppi
Performer: Jürgen Banholzer
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IV. Giga allegro
Composer: Baldassare Galuppi
Performer: Jürgen Banholzer
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I. Allegro
Composer: Pietro Beretti
Ensemble: La Gioia Armonica
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II. Andante
Composer: Pietro Beretti
Ensemble: La Gioia Armonica
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III. Allegro
Composer: Pietro Beretti
Ensemble: La Gioia Armonica
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Organ Sonata in G Major
Composer: Carlo Monza
Performer: Jürgen Banholzer
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I. Allegro
Composer: Angelo Conti
Ensemble: La Gioia Armonica
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II. Grazioso
Composer: Angelo Conti
Ensemble: La Gioia Armonica
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III. Allegrissimo
Composer: Angelo Conti
Ensemble: La Gioia Armonica
Featuring ⌄
Product Details ⌄
Works ⌄
Today there are different types of the instrument known in German-speaking countries as the Hackbrett, mainly associated with local traditional music, such as the cimbalom in Eastern Europe, the santūr in Persia, etc. The history of European music has also known moments when this type of instrument was appreciated in art music, thanks especially to its sonority, which predestined it for the so-called ‘sensitive’ (empfindsam) style. This recording is devoted to the salterio, the Italian form of the instrument, for which a considerable number of works were composed in the eighteenth century. Margit Übellacker and Jürgen Banholzer present a selection of world premiere recordings of sonatas for salterio and basso continuo. These reflect the galant style of north Italy in the second half of the eighteenth century.
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