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COMPOSERCASTELNUOVO-TEDESCO, MARIO
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ORCHESTRA / ENSEMBLEGran Duo Italiano
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PERFORMERGRAN DUO ITALIANO
Castelnuovo-Tedesco: Music for Violin and Piano / Gran Duo Italiano
- Brilliant Classics
- October 5, 2018
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RELEASE DATEOctober 05, 2018
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UPC5028421956428
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CATALOG NUMBERBRI95642
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LABELBrilliant Classics
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NUMBER OF DISCS3
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GENRE
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I. Dolce e tranquillo
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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II. Con grazia
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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No. 1. La sera per il fresco è un bel cantare
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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No. 2. Stanotte son dormito a ciel sereno
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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No. 3. Il mattino ha l'oro in bocca
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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Ritmi, Op. 15
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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Capitan Fracassa, Op. 16
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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Notturno adriatico, Op. 34
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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I. Prologue: Moderato e pensoso
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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II. Intermezzo: Vivace e danzante
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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III. Epilogue: Calmo
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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Vol. 6, No. 2. Arise, "Sea Murmurs"
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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Vol. 8, No. 3. Two Maids Wooing a Man, "Tango"
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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Figaro (from Rossini's The Barber of Seville) (version for violin and piano)
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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I. Overture
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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II. Romance
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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III. Valse
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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IV. Tyrolienne
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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V. Rataplan (Rondo militare)
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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Exotica: A Rhapsody of the South Seas
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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The Lark, Op. 64
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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No. 23. Intermezzo on the Name of Harvey Siegal
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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No. 25. Hungarian serenade on the Name of Miklós Rózsa
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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No. 1. Entrata
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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No. 2. Pavane
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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No. 3. Tambourin
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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No. 4. Aria
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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No. 5. Toccata
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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No. 6. Gavotta variata
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
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No. 7. Gigue
Composer: Mario Castelnuovo-Tedesco
Ensemble: Gran Duo Italiano
Featuring ⌄
Product Details ⌄
Works ⌄
Mario Castelnuovo-Tedesco (1895–1968) may still be regarded primarily as a composer for guitar, best known through his working partnership with Andres Segovia, but Brilliant Classics has illuminated other sides to this prolific musician through first recordings and modern rediscoveries of his piano music (BC94811) and his songs, most notably his settings of Shakespeare (BC95548). Now the focus falls on his chamber music, with these new studio recordings of suites, sonatas, tone-poems and fantasies. From the piquant miniatures of the two Signorine Op.10 to the neoclassically economical Suite 508 Op.170, all the works here abound in the bitter-sweet harmonies and soaring melodic rapture which gave a distinctive flavour to Castelnuovo-Tedesco’s music throughout his long career. Song without words is another thread to his output, first encountered here in the Tre canti all’aria aperta from 1919. Tuscan folksong and medieval troubadour tradition are spiced with Bartokian harmony in a fresh and appealing combination. The writing for the string instruments is reliably extrovert and idiomatic, influenced by the music’s dedicatees and first performers such as Jascha Heifetz, Albert Spalding and Adila Fachiri, grandniece of Joseph Joachim. Notturno Adriatico is a tranquil, dream-like tone-picture with a tenuous hold on the repertoire, like the virtuoso flourish of Exotica: A Rhapsody of the South Seas. However, the extensive fantasy on themes from Donizetti’s La fille du regiment is a substantial rarity which deserves much wider currency. In the same tradition of the operatic fantasy is a paraphrase of Rossini’s ‘Largo al factotum’; like the two deft miniatures from a series of Greetings Cards Op.170, the paraphrase was issued in print, whereas most of the five-movement Donizetti fantasy remains unpublished. So does the Suite 508 for viola and piano, composed in 1960. With typical ingenuity, Castelnuovo-Tedesco works in the name of the different dedicatees to each of the seven movements, resulting in chromaticism on the verge of atonality at times, but reliably handled with verve and melodic prominence.
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