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COMPOSERBECK BRYANT CORIGLIANO NEWM
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PERFORMERGaudete Brass, Goodwin, Jacobs, Stamps, Howarth, Hickey, Schuchat
Sevenfive - The John Corigliano Effect / Gaudete Brass
- Cedille
- February 10, 2017
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RELEASE DATEFebruary 10, 2017
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UPC735131916929
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CATALOG NUMBERCDR 169
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LABELCedille
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NUMBER OF DISCS1
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GENRE
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Entrance
Composer: David Sampson
Ensemble: Gaudete Brass
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Gazebo Dances Overture (arr. C. Colnot for brass quintet)
Composer: John Corigliano Jr.
Ensemble: Gaudete Brass
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I. Limited
Composer: Jonathan Newman
Ensemble: Gaudete Brass
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II. Foxtrot
Composer: Jonathan Newman
Ensemble: Gaudete Brass
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III. Prayers of Steel
Composer: Jonathan Newman
Ensemble: Gaudete Brass
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IV. City of the Big Shoulders
Composer: Jonathan Newman
Ensemble: Gaudete Brass
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sevenfive
Composer: Steven Bryant
Ensemble: Gaudete Brass
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Antiphon (version for brass quintet)
Composer: John Corigliano Jr.
Ensemble: Gaudete Brass
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Roar
Composer: Jeremy Howard Beck
Ensemble: Gaudete Brass
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Still
Composer: David Sampson
Ensemble: Gaudete Brass
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I. Artifacts
Composer: Conrad Winslow
Ensemble: Gaudete Brass
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II. History
Composer: Conrad Winslow
Ensemble: Gaudete Brass
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III. Ceremonies
Composer: Conrad Winslow
Ensemble: Gaudete Brass
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Fanfares to Music
Composer: John Corigliano Jr.
Ensemble: Gaudete Brass
Featuring ⌄
Product Details ⌄
Works ⌄
Gaudete Brass, a quintet devoted to presenting serious brass chamber music and commissioning new works, brings a fresh perspective to music of John Corigliano with an inventive album of brass works by the prolific American composer and his protégés. “The excellent Gaudete Brass” (Gramophone) honors Corigliano, winner of Grammy Awards, an Academy Award, and a Pulitzer Prize, with world-premiere recordings of his groundbreaking Fanfares to Music for on- and off-stage brass choirs, his stately Antiphon for double brass quintet, and a new arrangement of the Rossini-esque Overture from his popular Gazebo Dances. Gaudete commissioned the title track, Steven Bryant’s sevenfive, in honor of Corigliano’s 75th birthday, and the numbers seven and five figure prominently in its musical architecture. David Sampson’s boisterous Entrance opens the program, while his surprisingly restrained Still is luxuriously lyrical. Jonathan Newman’s Prayers of Steel evokes the Midwest landscapes in Carl Sandburg’s poetry. Jeremy Howard Beck’s ROAR exploits the brasses’ ability to do just that. Conrad Winslow’s The Record of a Lost Tribe summons an imaginary, bygone civilization. All works except Entrance receive their world-premiere recordings on the album.
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