Charles Koechlin: Symphony No. 1

Regular price $16.99
Label
Capriccio
Release Date
May 2, 2025
Format
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    Featuring
    • COMPOSER
      Charles Koechlin
    • PERFORMER
      Patricia Petibon, Wurttembergische Philharmonie Reutlingen
    Product Details
    • RELEASE DATE
      May 02, 2025
    • UPC
      845221055336
    • CATALOG NUMBER
      C5533
    • LABEL
      Capriccio
    • NUMBER OF DISCS
      1
    • GENRE
    Works
    1. 2 pièces symphoniques, Op. 20: No. 2. Au loin

      Composer: Charles Koechlin

      Ensemble: Württembergische Philharmonie Reutlingen

      Conductor: Ariane Matiakh

    2. I. Adagio

      Composer: Charles Koechlin

      Ensemble: Württembergische Philharmonie Reutlingen

      Conductor: Ariane Matiakh

    3. II. Scherzo

      Composer: Charles Koechlin

      Ensemble: Württembergische Philharmonie Reutlingen

      Conductor: Ariane Matiakh

    4. III. Andante

      Composer: Charles Koechlin

      Ensemble: Württembergische Philharmonie Reutlingen

      Conductor: Ariane Matiakh

    5. IV. Finale

      Composer: Charles Koechlin

      Ensemble: Württembergische Philharmonie Reutlingen

      Conductor: Ariane Matiakh

    6. 3 Mélodies, Op. 17: No. 1. Le colibri (arr. R. Orledge for voice and orchestra)

      Composer: Charles Koechlin

      Ensemble: Württembergische Philharmonie Reutlingen

      Performer: Patricia Petibon

      Conductor: Ariane Matiakh

    7. No. 2. La prière du mort

      Composer: Charles Koechlin

      Ensemble: Württembergische Philharmonie Reutlingen

      Performer: Patricia Petibon

      Conductor: Ariane Matiakh

    8. No. 3. Épiphanie

      Composer: Charles Koechlin

      Ensemble: Württembergische Philharmonie Reutlingen

      Performer: Patricia Petibon

      Conductor: Ariane Matiakh


It took almost 100 years for Charles Koechlin's First Symphony to get a proper recording and over a year for Ariane Matiakh to prepare the material. After her highly praised recording of Koechlin's Seven Stars Symphony (C5449), this is a much-appreciated further foray into the largely unexplored symphonic world of this fascinating composer, a French Chameleon of sorts, who felt comfortable anywhere between Bachian counterpoint and the heights of French impressionism. The earlier Au loin, Poeme symphonique and 3 Melodies (orchestrated posthumously) round out the scintillating picture.