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COMPOSERCHARPENTIER, MARC-ANTOINE
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ORCHESTRA / ENSEMBLEBoston Early Music Festival Vocal Ensemble
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PERFORMERWakim, Warnken, Blumberg, Boston Early Music Festival Ch
Charpentier: Les Plaisirs de Versailles, Les Arts Florissants / Boston Early Music Festival
- CPO
- August 2, 2019
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RELEASE DATEAugust 02, 2019
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UPC761203528325
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CATALOG NUMBER555283-2
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LABELCPO
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NUMBER OF DISCS1
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GENRE
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Overture
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 1: Air: Que tout cède aux douceurs (La Musique, Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Performer: Teresa Wakim
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 2: Quel objet importun (La Musique, La Conversation)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Chamber Ensemble
Performer: Teresa Wakim, Virginia Warnken
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 2: Ah! que cette chute (La Conversation, La Musique, Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Performer: Virginia Warnken, Teresa Wakim
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 2: Qu'elle finisse donc (La Musique, La Conversation, Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Performer: Teresa Wakim, Virginia Warnken
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 3: Venez, dieu des festins (Un Plaisir, Comus, La Musique, La Conversation)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Chamber Ensemble
Performer: Aaron Sheehan, Jesse Blumberg, Teresa Wakim, Virginia Warnken
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 3: Air: D'un vin délicieux (Comus, La Conversation, La Musique)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Chamber Ensemble
Performer: Jesse Blumberg, Virginia Warnken, Teresa Wakim
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 3: Air: J'ai des confitures liquides (Comus, La Musique, La Conversation)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Chamber Ensemble
Performer: Jesse Blumberg, Teresa Wakim, Virginia Warnken
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 4: Air: Si les cartes, les des (Le Jeu, Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Performer: Jason McStoots
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 4: Pour vous apaiser donc (Le Jeu, Comus, La Musique, La Conversation, Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Performer: Jason McStoots, Jesse Blumberg, Teresa Wakim, Virginia Warnken
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 4: Déesse des discours (Comus, La Conversation, La Musique)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Chamber Ensemble
Performer: Jesse Blumberg, Virginia Warnken, Teresa Wakim
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 4: Air: Ah, que ce chocolat foisonne (La Conversation, La Musique, Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Performer: Virginia Warnken, Teresa Wakim
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 4: Déesse un peu trop chatouilleuse (La Musique, La Conversation, Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Performer: Teresa Wakim, Virginia Warnken
Conductor: Paul O'Dette, Stephen Stubbs
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Overture
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 1: Air: Que mes divins concerts (La Musique)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Chamber Ensemble
Performer: Teresa Wakim
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 1: Amour du Ciel et de la terre, Âme de l'Univers, Lien des Eléments (Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 1: Air: Dans la noble ardeur (La Poésie, Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Performer: Molly Netter
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 1: Air: Mon pinceau, mes couleurs, ne perdent point courage (La Peinture, L'Architecture)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Chamber Ensemble
Performer: Aaron Sheehan, Virginia Warnken
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 1: Amour du Ciel et de la terre, Délices de l'Esprit, seuls plaisirs innocents (Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 2: Quel bruit épouvantable (La Musique, La Poésie, La Peinture, L'Architecture, Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Performer: Teresa Wakim, Molly Netter, Aaron Sheehan, Virginia Warnken
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 2: Air: Renversons le ciel, la terre et l'onde (La Discorde, Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Performer: Jesse Blumberg
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 2: Sa gloire est un supplice (La Discorde, Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Performer: Jesse Blumberg
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 3: Prélude - Fille de la nuit éternelle (La Paix, La Discorde, Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Performer: Margot Rood, Jesse Blumberg
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 3: Souffres-tu, monarque des Dieux (La Paix)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Chamber Ensemble
Performer: Margot Rood
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 4: Prélude - Parais dans ta beauté première (La Paix)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Chamber Ensemble
Performer: Margot Rood
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 5: Chaconne - Charmante Paix, du ciel à propos descendue (La Musique, La Poésie, La Peinture, L'Architecture, Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Performer: Teresa Wakim, Molly Netter, Aaron Sheehan, Virginia Warnken
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 5: O Paix si longtemps désirée (La Musique, La Poésie, Guerrier, La Paix)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Chamber Ensemble
Performer: Teresa Wakim, Molly Netter, John Taylor Ward, Margot Rood
Conductor: Paul O'Dette, Stephen Stubbs
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Scene 5: O Paix si longtemps désirée (Chorus)
Composer: Marc-Antoine Charpentier
Ensemble: Boston Early Music Festival Vocal Ensemble, Boston Early Music Festival Chamber Ensemble
Conductor: Paul O'Dette, Stephen Stubbs
Featuring ⌄
Product Details ⌄
Works ⌄
Charpentier & BEMF Again at their Best. In 2015 our most recent Charpentier recording to date, La Descente d’Orphee aux Enfers with young soloists and the Boston Early Music Festival Chamber Ensemble, received the Grammy Award for the “Best Opera Production” of the preceding year and Gramophone’s “Editor’s Choice.” Our new album featuring two “mini-operas” by Charpentier again offers enthralling performances of this court music of charming dance character and elegance. In contrast to Charpentier’s other operas, Les Plaisirs de Versailles is directly associated with Louis XIV. The title of the manuscript score registers very clearly and unmistakably what is involved in this composition, and its equation of the “plaisirs,” the “pleasures,” with the king’s residence not only serves to reveal the subject but also the context: on the one hand, the work describes the pleasures that could be experienced in the royal palace; on the other hand, it itself is supposed to be one of these pleasures. Once again a beautiful and top-quality work from opera history is made available to listeners of the twenty-first century: “An important addition to the Charpentier discography” (Toccata).
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