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COMPOSERSIBELIUS DEBUSSY STRAUSS GR
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ORCHESTRA / ENSEMBLELunds Studentsangare Malmö Opera Orchestra
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PERFORMERStenbaeck, Hellstrom, Hold-Garrido
Choruses For Male Voices And Orchestra / Lund Student Singers, Malmo Opera Orchestra
- Naxos
- October 30, 2012
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RELEASE DATEOctober 30, 2012
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UPC747313287178
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CATALOG NUMBER8572871
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LABELNaxos
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NUMBER OF DISCS1
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GENRE
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Vapautettu kuningatar (The Captive Queen), Op. 48 (version for male chorus and orchestra)
Composer: Jean Sibelius
Ensemble: Lunds Studentsångare, Malmö Opera Orchestra
Conductor: Alberto Hold-Garrido
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Invocation (version for male chorus and orchestra)
Composer: Claude Debussy
Ensemble: Lunds Studentsångare, Malmö Opera Orchestra
Performer: Mikael Stenbaek
Conductor: Alberto Hold-Garrido
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Die Tageszeiten, Op. 76: No. 2. Mittagsruhe
Composer: Richard Strauss
Ensemble: Lunds Studentsångare, Malmö Opera Orchestra
Conductor: Alberto Hold-Garrido
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Helgoland in G Minor, WAB 71
Composer: Anton Bruckner
Ensemble: Lunds Studentsångare, Malmö Opera Orchestra
Conductor: Alberto Hold-Garrido
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Gesang der Geister uber den Wassern, Op. 167, D. 714
Composer: Franz Schubert
Ensemble: Lunds Studentsångare, Malmö Opera Orchestra
Conductor: Alberto Hold-Garrido
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Landkjending (Land-Sighting), Op. 31
Composer: Edvard Grieg
Ensemble: Lunds Studentsångare, Malmö Opera Orchestra
Performer: Daniel Hällström
Conductor: Alberto Hold-Garrido
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Das Liebesmahl der Apostel (excerpt)
Composer: Richard Wagner
Ensemble: Lunds Studentsångare, Malmö Opera Orchestra
Conductor: Alberto Hold-Garrido
Featuring ⌄
Product Details ⌄
Works ⌄
Drawing on the romantic spirit in music, Schubert’s moving setting is of a poem by Goethe which compares a rushing waterfall to the soul of man, while Strauss’s gorgeous Mittagsruhe depicts the peace of a summer noontide. Narrative vocal traditions are heard in Sibelius’s nationalist Vapautettu kuningatar, Bruckner’s heroic Helgoland, and Grieg’s Landkjenning, which tells of the 10th-century Norwegian king Oleg Tryggvason. Das Liebesmahl der Apostel anticipates the religious ecstasies of Wagner’s Parsifal, while Debussy’s early cantata Invocation resonates with Gallic sparkle.
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