Clara Haskil's Salzburg recital from August 8, 1957, is familiar from the pianist's Philips studio versions--but these live traversals are preferable. Haskil's sonority, for one,...

Clara Haskil's Salzburg recital from August 8, 1957, is familiar from the pianist's Philips studio versions--but these live traversals are preferable. Haskil's sonority, for one, benefits from a closer mike pickup that conveys the full measure of the Romanian pianist's gutsy, musicianly playing. Her angular passagework in the wonderful Mozart C major Sonata K. 330 is more controlled than in her Philips recording. Likewise, the biting, woodwind-like left hand lines in the Scherzo of Beethoven's E-flat major Sonata Op. 31 No. 3 swagger with more conviction. Oddly, she omits the first movement repeat honored in her two studio versions. There's also a greater degree of risk as well as accuracy in this live Schubert B-flat Sonata--a performance filled to the brim with touching lyricism and tensile strength. A tip of the hat, then, to Music and Arts for making this material available in very good mono broadcast sound. Haskil may have had a saintly reputation, but as a pianist she was one tough cookie! --Jed Distler, ClassicsToday.com