Clavis et Chorda, 14th- and 15th-century music for stringed

$16.99
Label
Dynamic
Release Date
November 21, 2025
Format
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    Featuring ⌄
    • COMPOSER
      Anonymous, Adam Ileborgh
    • PERFORMER
      Vania Dal Maso
    Product Details ⌄
    • RELEASE DATE
      November 21, 2025
    • UPC
      8007144080792
    • CATALOG NUMBER
      DYN-CDS8079
    • LABEL
      Dynamic
    • NUMBER OF DISCS
      1
    • GENRE
      Solo Instrumental
    Works ⌄

    1. Redeuntes In Re

      Composer: Conrad Paumann

      Performer: Vania Dal Maso

    2. Retrové [MS 28550, Robertsbridge Codex, 14th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    3. Bel fiore dança [MS 117, Codex Faenza, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    4. Stüblin etc. [MS 3725 (olim Cim. 352b), Buxheimer Orgelbuch, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    5. Mi ut re ut e c d c; Aliud Mi ut re ut E c d c [MS 3725 (olim Cim. 352b), Buxheimer Orgelbuch, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    6. Tribum quem (after Philippe de Vitry) [MS 28550, Robertsbridge Codex, 14th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    7. C[on] l[agreme] (after J. Ciconia) [MS 40613, Lochamer Liederbuch, 1452-1460]

      Composer: Anonymous

      Performer: Vania Dal Maso

    8. Con lacrime M. C. C. (after J. Ciconia)

      Composer: Conrad Paumann

      Performer: Vania Dal Maso

    9. Un fior(e) gentil m'apparse (after Antonio Zacara da Teramo) [MS 117, Codex Faenza, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    10. Che pena questa (after F. Landini) [MS 117, Codex Faenza, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    11. O ciecho mondo (after Jacopo da Bologna) [MS 117, Codex Faenza, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    12. La dolçe sere (after Bartolino da Padova) [MS 117, Codex Faenza, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    13. Non na el so amante (after Jacopo da Bologna) [MS 117, Codex Faenza, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    14. Mensura trium notarum supra tenorem Frowe al myn hoffen an dyr lyed

      Composer: Adam Ileborgh

      Performer: Vania Dal Maso

    15. Mensura duorum notarum eiusdem tenoris

      Composer: Adam Ileborgh

      Performer: Vania Dal Maso

    16. Preambulum super g [MS destroyed in WWII, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    17. Incipit bo(nus Tenor) Leohardi [organ tablature, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    18. Praeambulum super fa [MS 40613, Lochamer Liederbuch, 1452-1460]

      Composer: Anonymous

      Performer: Vania Dal Maso

    19. Paumgartner [MS 40613, Lochamer Liederbuch, 1452-1460]

      Composer: Anonymous

      Performer: Vania Dal Maso

    20. Praeambulum super re [MS 40613, Lochamer Liederbuch, 1452-1460]

      Composer: Anonymous

      Performer: Vania Dal Maso

    21. Mit ganczem Willen wünsch ich dir [MS 40613, Lochamer Liederbuch, 1452-1460]

      Composer: Anonymous

      Performer: Vania Dal Maso

    22. En avois [MS 40613, Lochamer Liederbuch, 1452-1460]

      Composer: Anonymous

      Performer: Vania Dal Maso

    23. Annabasanna 3m [MS 3725 (olim Cim. 352b), Buxheimer Orgelbuch, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    24. Ellend du hast [MS 40613, Lochamer Liederbuch, 1452-1460]

      Composer: Anonymous

      Performer: Vania Dal Maso

    25. J'ay pris amours [MS 3725 (olim Cim. 352b), Buxheimer Orgelbuch, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    26. Dulongesux (after G. Binchois) [MS 3725 (olim Cim. 352b), Buxheimer Orgelbuch, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso

    27. Praeambulum super d a f et g

      Composer: Anonymous

    28. Adyen matres belle (after G. Binchois) [MS 3725 (olim Cim. 352b), Buxheimer Orgelbuch, 15th century]

      Composer: Anonymous

      Performer: Vania Dal Maso


Performer and scholar Vania Dal Maso has constructed an innovative programme exploring music for stringed keyboard instruments from the fourteenth and fifteenth centuries. Based on the study and interpretation of sources, both on the instruments' construction and musical interpretation, she explores the profoundly different sounds and tone-colours of the clavichord, hammered clavicymbalum and clavicytherium. The music ranges widely in forms and genres from across Europe, including music sourced from the oldest-known manuscript for keyboard instruments - the Robertsbridge Codex (c. 1320) - to create the widest possible stylistic panorama of keyboard music of the time.