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COMPOSERFelix Blumenfeld, Claude Debussy, George Enescu, Franz Liszt, Olivier Messiaen, Gilead Mishory, Tris
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PERFORMERIrmela Roelcke
Cloches et Carillons / Roelcke
- Toccata
- September 16, 2022
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RELEASE DATESeptember 16, 2022
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UPC5060640070202
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CATALOG NUMBERTOCN0020
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LABELToccata
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NUMBER OF DISCS1
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GENRE
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Les cloches du soir in E-Flat Major, Op. 85
Composer: Camille Saint-Saëns
Performer: Irmela Roelcke
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Weihnachtsbaum, S186/R71: IX. Abendglocken (Evening Bells)
Composer: Franz Liszt
Performer: Irmela Roelcke
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Années de pèlerinage, 1st year, Switzerland, S160/R10: No. 9. Les cloches de Genève (The Bells of Geneva)
Composer: Franz Liszt
Performer: Irmela Roelcke
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Ave Maria fur die grosse Klavierschule von Lebert und Stark, S182/R67, "Die Glocken von Rom"
Composer: Franz Liszt
Performer: Irmela Roelcke
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Musiques intimes, Book 2, Op. 29: No. 6. Glas
Composer: Florent Schmitt
Performer: Irmela Roelcke
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Poème des cloches funèbres, Op. 39: No. 2. Le Glas
Composer: Louis Vierne
Performer: Irmela Roelcke
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I. Glocken und Gloeckchen
Composer: Felix Blumenfeld
Performer: Irmela Roelcke
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II. Trauerglocken
Composer: Felix Blumenfeld
Performer: Irmela Roelcke
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III. Feierliche Glocken
Composer: Felix Blumenfeld
Performer: Irmela Roelcke
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Miroirs: No. 5. La Vallée des Cloches
Composer: Maurice Ravel
Performer: Irmela Roelcke
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Images, Book 2: No. 1. Cloches à travers les feuilles
Composer: Claude Debussy
Performer: Irmela Roelcke
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Preludes: No. 6. Cloches d'angoisse et larmes d'adieu (Bells of Anguish and Tears of Farewell)
Composer: Olivier Messiaen
Performer: Irmela Roelcke
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Cloches d'adieu, et un sourire …
Composer: Tristan Murail
Performer: Irmela Roelcke
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Cloches de joie et larmes de rire
Composer: Gilead Mishory
Performer: Irmela Roelcke
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VI. Choral
Composer: George Enescu
Performer: Irmela Roelcke
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VII. Carillon nocturne
Composer: George Enescu
Performer: Irmela Roelcke
Featuring ⌄
Product Details ⌄
Works ⌄
The piano is perhaps better suited than any other instrument to evoke the sound of bells – evening bells, bells of farewell and of joy, funereal bells, bells with spiritual overtones – and late-Romantic and twentieth-century French and Russian composers in particular have responded to the challenge of capturing those sonorities at the keyboard. This recital explores three centuries of pianistic tintinnabulation, and its ability to capture atmosphere and emotion. In her work, Irmela Roelcke combines concerts with teaching, practicing with reflecting and communicating music. She develops innovative concepts and dramaturgically profiled programs.
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