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COMPOSERVARIOUS
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PERFORMERMauricio Arias-Esguerra
Arias-Esguerra, Atehortúa, Frederick, León, Parra, Pérez: ¡Colombia Viva! / Mauricio Arias-Esguerra
- Toccata
- July 30, 2021
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RELEASE DATEJuly 30, 2021
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UPC5060640070158
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CATALOG NUMBERTOCN0015
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LABELToccata
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NUMBER OF DISCS1
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GENRE
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Toccata Bachkovsky
Composer: Mauricio Arias-Esguerra
Performer: Mauricio Arias-Esguerra
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I. Allegretto
Composer: Jaime Leon
Performer: Mauricio Arias-Esguerra
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II. Blues
Composer: Jaime Leon
Performer: Mauricio Arias-Esguerra
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III. Swing
Composer: Jaime Leon
Performer: Mauricio Arias-Esguerra
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IV. Lento come passacaglia
Composer: Jaime Leon
Performer: Mauricio Arias-Esguerra
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V. Bailable
Composer: Jaime Leon
Performer: Mauricio Arias-Esguerra
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Preludio
Composer: Blas Atehortua
Performer: Mauricio Arias-Esguerra
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Variaciones
Composer: Blas Atehortua
Performer: Mauricio Arias-Esguerra
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Presto alucinante
Composer: Blas Atehortua
Performer: Mauricio Arias-Esguerra
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Arizona Mirage
Composer: Mauricio Arias-Esguerra
Performer: Mauricio Arias-Esguerra
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I. Atravesando el infierno
Composer: Ian Frederick
Performer: Mauricio Arias-Esguerra
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II. Villas
Composer: Ian Frederick
Performer: Mauricio Arias-Esguerra
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III. Nuestra luminiscencia
Composer: Ian Frederick
Performer: Mauricio Arias-Esguerra
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I. Strictly
Composer: Gustavo Delgado Parra
Performer: Mauricio Arias-Esguerra
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II. Allegro con fuoco
Composer: Gustavo Delgado Parra
Performer: Mauricio Arias-Esguerra
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Ancestro (Bambuco)
Composer: Germán Darío Pérez
Performer: Mauricio Arias-Esguerra
Featuring ⌄
Product Details ⌄
Works ⌄
In this album Mauricio Arias-Esguerra offers a kaleidoscopic view of recent Colombian piano music, highlighting its striking stylistic variety. Germán Darío Pérez sees a traditional dance through a jazzy lens, and Blas Emilio Atehortúa takes a post-serial approach in his Preludio, Variaciones y Presto Alucinante. The influence of progressive rock music can be heard in Gustavo Parra´s Pavec Lingus, as can Jaime León´s love of US American music in his Made in U.S.A. preludes; and there is techno and angst in Ian Frederick´s Suite Catrina. Arias-Esguerra’s own contributions are highly contrasted, with lyricism in his Arizona Mirage and rhythmic drive in his Toccata Bachkovsky.
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This portrait of Colombian pianomusic offers a glimpse into a richseam of music-making rarelymined. Arias-esguerra showcasesa variety of styles and influences,from composers living andpassed. His own Arizona Mirageis a highlight.
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