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COMPOSERCRUMB, GEORGE
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PERFORMERMarcantonio, Barone
Crumb: Complete Edition, Vol. 19: Metamorphoses, Book 1 / Barone
- Bridge Records
- June 19, 2020
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RELEASE DATEJune 19, 2020
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UPC090404953521
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CATALOG NUMBERBCD9535
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LABELBridge Records
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NUMBER OF DISCS1
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GENRE
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No. 1. Black Prince (after painting by Paul Klee, 1927)
Composer: George Crumb
Performer: Marcantonio Barone
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No. 2. The Goldfish (after painting by Paul Klee, 1925)
Composer: George Crumb
Performer: Marcantonio Barone
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No. 3. Wheatfield with Crows (after painting by Vincent van Gogh, 1890)
Composer: George Crumb
Performer: Marcantonio Barone
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No. 4. The Fiddler (after painting by Marc Chagall, 1912-13)
Composer: George Crumb
Performer: Marcantonio Barone
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No. 5. Nocturne: Blue and Gold - Southampton Water (after painting by James McNeill Whistler, 1872)
Composer: George Crumb
Performer: Marcantonio Barone
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No. 6. Perilous Night (after painting by Jasper Johns, 1990)
Composer: George Crumb
Performer: Marcantonio Barone
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No. 7. Clowns at Night (after painting by Marc Chagall, 1957)
Composer: George Crumb
Performer: Marcantonio Barone
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No. 8. Contes barbares (after painting by Paul Gauguin, 1902)
Composer: George Crumb
Performer: Marcantonio Barone
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No. 9. The Persistence of Memory (after painting by Salvador Dalí, 1931)
Composer: George Crumb
Performer: Marcantonio Barone
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No. 10. The Blue Rider (after painting by Wassily Kandinsky, 1903)
Composer: George Crumb
Performer: Marcantonio Barone
Featuring ⌄
Product Details ⌄
Works ⌄
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REVIEWS:
Klee, Van Gogh, Chagall, Whistler, Gauguin and Kandinsky all give inspiration for a stylistically inclusive, vigorously inventive sequence: just 37½ minutes of music, but a disc of real substance.
– Sunday Times (UK)
The pianist Marcantonio Barone places Crumb’s evocative gestures with reverent care and gives them space to make their full effect, and he’s as responsive to the music’s savage or folk-like moments as he is to its quiet poetry. The recorded sound is ideally close so the piano’s resonances sound huge and all-enveloping, as they should. Those who already know Crumb’s music well might be a tad disappointed that this piece breaks no new ground creatively. But for those who don’t it offers a wonderfully concentrated, vivid introduction to his imaginative world.
– The Telegraph (UK)
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