-
COMPOSERGiuseppe Corsi Da Celano
-
ORCHESTRA / ENSEMBLERomabarocca Ensemble
-
PERFORMERRenato Criscuolo
Corsi: Bass Cantatas / Borgioni, Criscuolo, Tozzi, Romabarocco Ensemble
- Brilliant Classics
- January 27, 2023
-
RELEASE DATEJanuary 27, 2023
-
UPC5028421966939
-
CATALOG NUMBERBRI96693
-
LABELBrilliant Classics
-
NUMBER OF DISCS1
-
GENRE
-
I. Recitative: Dalle balze sicane
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
II. Aria: Giove tiranno
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
III. Recitative: Anneriscon le sfere
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
IV. Aria: Cieli ingrati
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
V. Recitative: Disseta pur lo sdegno
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
VI. Aria: Li ciechi abissi
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
VII. Recitativo: Tacete, alme
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
VIII. Aria: Agl'urli tremanti
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
IX. Aria: Son sorde a danno mio
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
I. Aria: Cruda legge del mio fato
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
II. Aria: Mi stracciano le pene
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
III. Recitativo: Ma non lice al mio core
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
IV. Aria: Se con note di gioia
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
V. Recitative: Ed in stato infelice
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
Vi. Aria: Così confondano
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
VII. Recitative: Pianger non posso
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
VIII. Aria: Cruda legge
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
IX. Recitative and Aria: Or s’è pena il tacer
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
Toccata
Composer: Giovanni Battista Vitali
Ensemble: Romabarocca Ensemble
Performer: Renato Criscuolo
-
Ruggiero
Composer: Giovanni Battista Vitali
Ensemble: Romabarocca Ensemble
Performer: Renato Criscuolo
-
Bergamasco
Composer: Giovanni Battista Vitali
Ensemble: Romabarocca Ensemble
Performer: Renato Criscuolo
-
Chiacona
Composer: Giovanni Battista Vitali
Ensemble: Romabarocca Ensemble
Performer: Renato Criscuolo
-
Me lo volete dire?, TriCo 63a
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
I. Recitative: Abbandonato e solo
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
II. Aria: Quella morte che per gioco
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
III. Recitative: Ma che miro!
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
V. Aria: Vieni pur
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
V. Recitative: Ma no. Merta Nerone
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
VI. Aria: Contro l'armi dell'inganno
Composer: Giuseppe Corsi
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
Capritio sopra ono figure
Composer: Giovanni Battista Vitali
Ensemble: Romabarocca Ensemble
Performer: Renato Criscuolo
-
Capritio sopra li cinque tempi
Composer: Giovanni Battista Vitali
Ensemble: Romabarocca Ensemble
Performer: Renato Criscuolo
-
Passa Galli
Composer: Giovanni Battista Vitali
Ensemble: Romabarocca Ensemble
Performer: Renato Criscuolo
-
I. Recitative: Pompe, voi che ascondete
Composer: Giacomo Antonio Perti
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
II. Aria: Perch'io tema bastanti voi siete
Composer: Giacomo Antonio Perti
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
-
III. Aria: Nel profondo cieco mondo
Composer: Giacomo Antonio Perti
Ensemble: Romabarocca Ensemble
Performer: Mauro Borgioni, Lorenzo Tozzi
Featuring ⌄
Product Details ⌄
Works ⌄
Giuseppe Corsi (c.1631/1691), known as Celani, was one of the most important composers of the Roman school active in the second half of the 17th century. Corsi's catalogue of works includes around 23 secular compositions including Cantatas for one voice and basso continuo. The protagonist of the cantata Dalle balze sicane is the mythological Enceladus who, having been plunged into the bowels of Mount Etna by the goddess Athena, invokes Jupiter to placate the outrage against him. The character’s 'misfortunes' and 'sorrows' of love in Cruda legge del mio fato find analogies with those experienced by the composer. The first aria in this cantata is rich in complex enharmonics, greatly expanded and varied in the repeat, when the voice is engaged in difficult bravura passages.
The cantata Abbandonato e solo begins with a veritable monologue from Roman emperor Nero, tormented by his past ghosts. The cantata on this album by Giacomo Antonio Perti (1661–1756), Pompe, voi che ascondete, although attributed to Corsi’s favourite pupil, is in fact still of unproven authorship. It is possible that Giuseppe Corsi met Giovanni Battista Vitali (1632–1692). The two composers in 1685 took part in the famous dispute over parallel fifths in Arcangelo Corelli's Sonata Op.2 No.3. The bass of the violin family, of which Vitali was a virtuoso, was widespread thanks to the Este patronage of Duke Francesco I. In his cantatas, Corsi repeatedly insists on the B flat grave, a characteristic of violin bass tuning, and the numerous semiquaver passages are particularly agile on the violone, so it is not unlikely that the composer from Marsica had this instrument in mind. It is also for this reason that Corsi's compositions have been joined by some movements from the Partite sopra diverse sonatas for the violone by Vitali that are particularly pleasing.
- Choosing a selection results in a full page refresh.
- Press the space key then arrow keys to make a selection.
