Saxophonist Lee Konitz began his career in the wake of Charlie Parker but he became arguably the only saxophonist to offer an alternative to Bird's overwhelming influence at the time. It is not surprising then that free-thinking and improvising Konitz would gravitate to the post-modern sensibilities of Ethan Iverson, best known as the pianist in the Bad Plus and a composer of extremely wide range and versatility. Together they offer a wildly creative set list where past and present combine to teeter on the edge of the future.