The ensemble is composed by one or two recorders (or flutes), continuo, and other additional instruments with the common aim to focus on the repertoire of the flute (both soloist and in chamber formation) during the XVII and the XVIII Centuries. The musical philology and the original performing practice are essential for a real comprehension of the early and baroque music and it is the basis to put in touch this repertoire with the sensibility of nowadays, in a sort of ideal reconciliation between the spirit of “Les Anciens” and of “Les Modernes”. On this new release they present Couperin’s Les Concerts Royaux. The focus on the recorder in this interpretation sets this album aside from other recordings of this work.