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COMPOSERAGRICOLA HOMILIUS
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PERFORMERKolner Akademie, Willens
Die Auferstehung des Erlosers: Easter Cantatas / Willens, Kolner Akademie
- CPO
- July 10, 2020
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RELEASE DATEJuly 10, 2020
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UPC761203533220
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CATALOG NUMBER555332-2
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LABELCPO
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NUMBER OF DISCS1
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GENRE
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Der Gottmensch jauchzt (Chorus)
Composer: Johann Friedrich Agricola
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Recitative: Da wir in deinem Blute (Soprano)
Composer: Johann Friedrich Agricola
Ensemble: Orchester der Kölner Akademie
Performer: Hannah Morrison
Conductor: Michael Alexander Willens
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Du schützest ihn auf deinem Throne (Quartet)
Composer: Johann Friedrich Agricola
Ensemble: Orchester der Kölner Akademie
Performer: Hannah Morrison, Elisabeth Popien, Georg Poplutz, André Morsch
Conductor: Michael Alexander Willens
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Aria: Er lebt, von deiner Huld beglücket (Soprano)
Composer: Johann Friedrich Agricola
Ensemble: Orchester der Kölner Akademie
Performer: Hannah Morrison
Conductor: Michael Alexander Willens
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Chorale: Herr, dies sind die edlen Früchte (Chorus)
Composer: Johann Friedrich Agricola
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Frohlocket und preiset den herrschenden Sieger (Chorus)
Composer: Gottfried August Homilius
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Recitative: Ach, schwere Pflicht! (Maria Magdalena, Maria Jacobi, Salome)
Composer: Gottfried August Homilius
Ensemble: Orchester der Kölner Akademie
Performer: Rahel Maas, Bethany Seymour, Elisabeth Popien
Conductor: Michael Alexander Willens
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Betrübter Fall (Maria Magdalena, Maria Jacobi, Salome)
Composer: Gottfried August Homilius
Ensemble: Orchester der Kölner Akademie
Performer: Rahel Maas, Bethany Seymour, Elisabeth Popien
Conductor: Michael Alexander Willens
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Recitative: Wie ist mir? Ach! (Maria Magdalena, Maria Jacobi, Salome)
Composer: Gottfried August Homilius
Ensemble: Orchester der Kölner Akademie
Performer: Rahel Maas, Bethany Seymour, Elisabeth Popien
Conductor: Michael Alexander Willens
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Aria: Entsetzt euch nicht, getreue Herzen (The angel, Bass)
Composer: Gottfried August Homilius
Ensemble: Orchester der Kölner Akademie
Performer: Rahel Maas, André Morsch
Conductor: Michael Alexander Willens
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Recitative: Kommt, nahet euch getrost herzu! (The angel, Bass)
Composer: Gottfried August Homilius
Ensemble: Orchester der Kölner Akademie
Performer: Rahel Maas, André Morsch
Conductor: Michael Alexander Willens
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Chorale: Am Sabbat früh mit Spezerei kommen zum Grab (Chorus)
Composer: Gottfried August Homilius
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Verwundrung nimmt Herz und Sinn auf einmal ein (Maria Magdalena, Maria Jacobi, Salome)
Composer: Gottfried August Homilius
Ensemble: Orchester der Kölner Akademie
Performer: Rahel Maas, Bethany Seymour, Elisabeth Popien
Conductor: Michael Alexander Willens
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Recitative: Mein Glaube zweifelt weiter nicht (Tenor, Soprano, Bass)
Composer: Gottfried August Homilius
Ensemble: Orchester der Kölner Akademie
Performer: Georg Poplutz, Rahel Maas, André Morsch
Conductor: Michael Alexander Willens
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Frohlocket und preiset den herrschenden Sieger (reprise) (Chorus)
Composer: Gottfried August Homilius
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Darum freuet sich mein Herz (Chorus)
Composer: Johann Friedrich Agricola
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Accompanied recitative: Die Erde bebt (Bass)
Composer: Johann Friedrich Agricola
Ensemble: Orchester der Kölner Akademie
Performer: André Morsch
Conductor: Michael Alexander Willens
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Aria: Umkränzt Maria (Tenor)
Composer: Johann Friedrich Agricola
Ensemble: Orchester der Kölner Akademie
Performer: Georg Poplutz
Conductor: Michael Alexander Willens
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Recitative: Der ew'ge Hohepriester (Tenor)
Composer: Johann Friedrich Agricola
Ensemble: Orchester der Kölner Akademie
Performer: Georg Poplutz
Conductor: Michael Alexander Willens
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Held, der den Fels vom Grabe rückte (Alto, Bass)
Composer: Johann Friedrich Agricola
Ensemble: Orchester der Kölner Akademie
Performer: Elisabeth Popien, André Morsch
Conductor: Michael Alexander Willens
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Chorale: Da du vom Tod erstanden bist (Chorus)
Composer: Johann Friedrich Agricola
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Harfe, töne darein (Chorus)
Composer: Johann Friedrich Agricola
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
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Accompanied recitative with Arioso and Chorus: Erhabner Held (Soprano, Chorus)
Composer: Johann Friedrich Agricola
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Performer: Hannah Morrison
Conductor: Michael Alexander Willens
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Aria: Steigt Engel, steigt Freunde der Edlen, hernieder (Soprano)
Composer: Johann Friedrich Agricola
Ensemble: Orchester der Kölner Akademie
Performer: Hannah Morrison
Conductor: Michael Alexander Willens
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Chorale: Sei hoch gelobt in dieser Zeit von allen Gotteskindern (Chorus)
Composer: Johann Friedrich Agricola
Ensemble: Chor der Kölner Akademie, Orchester der Kölner Akademie
Conductor: Michael Alexander Willens
Featuring ⌄
Product Details ⌄
Works ⌄
On this new production the Kölner Akademie has recorded two oratorios composed by members of the generation after Bach and explicitly focusing on the theme of the Resurrection. Johann Friedrich Agricola composed Die Auferstehung des Erlösers for performance in St. Peter’s Church in Berlin on the First Day of Easter in 1758, and Gottfried August Homilius wrote the Oratorium auf Ostern in 1767, when it was probably performed in the Church of Our Lady in Dresden. Agricola’s Easter cantata Der Gottmensch jauchzt is included with the two oratorios. Regarded during his lifetime as “certainly now absolutely the best church composer,” Homilius wrote an extensive cantata consisting of ten individual movements in the form of his oratorio for Easter. His music already displays elements of Early Classicism and the empfindsamer Stil, his cantata choruses are frequently of homophonic design and song character, and the polyphonic sections are rather rare. While the oratorio by Homilius continues to contain the historical component of the Easter event, Die Auferstehung des Erlösers by Agricola, with its subtitle Ein musikalisches Gedicht, is much more freely designed. The three accompagnato recitatives are of special musico-dramatic significance; in them the author of the text embellishes the earthquake accompanying the resurrection of Jesus and the mysterious event on the whole with rich verbal and pictorial formulations. The works presented here attest to the mastery of their composers. Arias of marvelous musical beauty, the naturalness of their expression, and the dramatic suspense in the individual movements continue to make for compelling listening even today.
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