Dohnanyi: Piano Concertos Nos. 1 & 2 / Matiakh, Gulbadamova, German State Philharmonic

$21.99
Label
Capriccio
Release Date
April 3, 2020
Format
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    Featuring ⌄
    • COMPOSER
      DOHNANYI, ERNST VON
    • PERFORMER
      Gulbadamova, Deutsche Staatsphilharmonie Rhenland-Pfalz, Matiakh
    Product Details ⌄
    • RELEASE DATE
      April 03, 2020
    • UPC
      845221053875
    • CATALOG NUMBER
      C5387
    • LABEL
      Capriccio
    • NUMBER OF DISCS
      1
    • GENRE
      Classical
    Works ⌄

    1. I. Adagio maestoso - Allegro - Molto adagio

      Composer: Ernő Dohnányi

      Ensemble: Staatsphilharmonie Rheinland-Pfalz

      Performer: Sofja Gülbadamova

      Conductor: Ariane Matiakh

    2. II. Andante

      Composer: Ernő Dohnányi

      Ensemble: Staatsphilharmonie Rheinland-Pfalz

      Performer: Sofja Gülbadamova

      Conductor: Ariane Matiakh

    3. III. Vivace - Tranquillo - Tempo I - Molto tranquillo - Vivace - Maestoso - Presto - Poco più presto - più presto

      Composer: Ernő Dohnányi

      Ensemble: Staatsphilharmonie Rheinland-Pfalz

      Performer: Sofja Gülbadamova

      Conductor: Ariane Matiakh

    4. I. Allegro - Legato - Animato - Meno mosso - A tempo -

      Composer: Ernő Dohnányi

      Ensemble: Staatsphilharmonie Rheinland-Pfalz

      Performer: Sofja Gülbadamova

      Conductor: Ariane Matiakh

    5. II. Adagio, poco rubato -

      Composer: Ernő Dohnányi

      Ensemble: Staatsphilharmonie Rheinland-Pfalz

      Performer: Sofja Gülbadamova

      Conductor: Ariane Matiakh

    6. III. Allegro vivace - Più mosso - A tempo

      Composer: Ernő Dohnányi

      Ensemble: Staatsphilharmonie Rheinland-Pfalz

      Performer: Sofja Gülbadamova

      Conductor: Ariane Matiakh


Ernst von Dohnanyi was one of the most versatile and influential musicians of his time but his stage works, orchestral compositions including symphonies, concerti as well as his numerous chamber music are now seldom played. A gap which Capriccio wants to fill now with this fourth recording of his late romantic, sensual music, deeply rooted in the Austro-German classical tradition. There is nothing in the musical language of these Piano Concertos (rhythm, melody, harmony as well as in the traditional orchestration) which Brahms would have found unfamiliar. With Sofia Gülbadamova, who turned out to be an expert in Dohnanyi’s piano music as she has already released his complete Solo Piano Works (Capriccio C5332), this recording was in good hands, carefully accompanied by Ariane Matiakh who also recorded Dohnanyi’s The Veil of Pierrette some months before (Capriccio C5388).