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COMPOSERVERDI, PUCCINI, LEONI, MOZART
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PERFORMERSoprano, Dorothy Warenskjold
Dorothy Warenskjold - A Treasury Of Operatic Heroines
- Cambria
- January 1, 1999
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RELEASE DATEJanuary 01, 1999
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UPC021475011117
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CATALOG NUMBERCD1111
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LABELCambria
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NUMBER OF DISCS1
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GENRE
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Don Giovanni, K. 527, Act II: Recitativo accompagnato ed Aria: In quali eccessi
Composer: Wolfgang Amadeus Mozart
Ensemble: San Francisco Symphony Orchestra
Performer: Dorothy Warenskjold
Conductor: Gaetano Merola
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Der Freischutz, J. 277, Act II: Wie nahte mir der Schlummer…- …Leise leise fromme Weise
Composer: Carl Maria von Weber
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Martha, Act II: Folksong: Letzte Rose, wie magst du so einsam hier bluhn
Composer: Friedrich von Flotow
Ensemble: San Francisco Symphony Orchestra
Performer: Dorothy Warenskjold
Conductor: Meredith Willson
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L' Africaine (The African Maid): Addio, terra nativa
Composer: Giacomo Meyerbeer
Ensemble: San Francisco Symphony Orchestra
Performer: Dorothy Warenskjold
Conductor: Carmen Dragon
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Ernani, Act I: Sorta e la notte
Composer: Giuseppe Verdi
Ensemble: San Francisco Symphony Orchestra
Performer: Dorothy Warenskjold
Conductor: Maurice Abravanel
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La traviata, Act I: Ah, fors' e lui
Composer: Giuseppe Verdi
Ensemble: San Francisco Symphony Orchestra
Performer: Dorothy Warenskjold
Conductor: Carmen Dragon
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Il Guarany, Act II: C'era una volta un principe
Composer: Carlos Gomes
Ensemble: Unknown Artist
Performer: Dorothy Warenskjold
Conductor: Carmen Dragon
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Carmen, Act III: Recitative: C'est des contrebandiers le refuge ordinaire
Composer: Georges Bizet
Ensemble: Unknown Artist
Performer: Dorothy Warenskjold
Conductor: Fausto Cleva
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Manon, Act III: Obeissons quand leur voix appelle
Composer: Jules Massenet
Ensemble: Unknown Artist
Performer: Dorothy Warenskjold
Conductor: Frank Black
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L'enfant prodigue: L'annee en vain
Composer: Claude Debussy
Ensemble: San Francisco Symphony Orchestra
Performer: Dorothy Warenskjold
Conductor: Pierre Monteux
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Pagliacci, Act I: Qual fiamma avea nel guardo
Composer: Ruggero Leoncavallo
Ensemble: San Francisco Symphony Orchestra
Performer: Dorothy Warenskjold
Conductor: Gaetano Merola
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L'oracolo, Act I: Bianca Luce Silente
Composer: Franco Leoni
Ensemble: Unknown Artist
Performer: Dorothy Warenskjold
Conductor: Carmen Dragon
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La bohème, Act II: Quando me'n vo'
Composer: Giacomo Puccini
Ensemble: Unknown Artist
Performer: Dorothy Warenskjold
Conductor: Carmen Dragon
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La bohème, Act III: Addio … D'onde lieta usci al tuo grido d'amore
Composer: Giacomo Puccini
Ensemble: San Francisco Symphony Orchestra
Performer: Dorothy Warenskjold
Conductor: Eugene Szenkar
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La rondine, Act I: Ore dolci e divine
Composer: Giacomo Puccini
Ensemble: San Francisco Symphony Orchestra
Performer: Dorothy Warenskjold
Conductor: Gaetano Merola
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Gianni Schicchi: O mio babbino caro
Composer: Giacomo Puccini
Ensemble: San Francisco Symphony Orchestra
Performer: Dorothy Warenskjold
Conductor: Arthur Fiedler
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Act I: Signore, ascolta!
Composer: Giacomo Puccini
Ensemble: Unknown Artist
Performer: Dorothy Warenskjold
Conductor: Fausto Cleva
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Act III Scene 1: Tu che guardi le stelle
Composer: Giacomo Puccini
Ensemble: Unknown Artist
Performer: Dorothy Warenskjold
Conductor: Fausto Cleva
Featuring ⌄
Product Details ⌄
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"A soprano star with one of the loveliest voices this reporter has ever heard," Henry Humphries, the late Cincinnati music critic once wrote of one of Dorothy Warenskjold's opera performances, declaring further, "she is a singer of finely grained musicianship, personality and temperament - one the Golden Age of Song would have been proud to call its own." Dorothy Warenskjold is a third generation Californian. She was born in Piedmont and received all her education and musical training in and around San Francisco. As James Schwabacher, tenor and founder of San Francisco Opera's Merola Program, recently remarked, "I have been constantly amazed at the consistency over the years of Dorothy's vocal technique which produces the pristine lyric quality uniquely hers." And nowhere is this more obviously shown than in the present choice of arias which span a period of nineteen years. These arias date from the young and budding prima donna's first major radio broadcast, through mid-career opera performances, up to the latest recorded arias. This consistency is a tribute not only to her training, but to her intelligent dedication to her art.
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